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Author Archives: Ciaran Walsh

TCD to announce return of ancestral remains to Inishbofin

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Posted by Ciaran Walsh on February 22, 2023 – 11:40 am

Filed under Curatorial Projects, Stolen Skulls

The Stolen Skulls of Inishbofin. Photo, by Marie Coyne (2022) of Inishbofin Island off the coast of Galway in Ireland. The ruin of St Colman's Monastery provides a backdrop for the contemporary burial ground in the foreground. Haddon and Dixon stole thirteen crania (skulls without jaw bones) from the monastery in 1890, and gave the collection to Trinity College Dublin. Marie Coyne and Ciarán Walsh began campaigning for their return in 2012.

Marie Coyne, 2022, St Colman’s Monastery and burial ground.

It is expected that the board of TCD will decide today (22 February 2023) to return to Inishbofin the ancestral remains Haddon and Dixon stole in 1890.

We were unable to achieve the return of the Árann and St Finian Bay remains as part of this deal, but there is now a procedure in place in TCD to submit claims in respect of these remains:

It should also be stressed that this document focuses specifically on the Inishbofin case though it has potential relevance for future requests from other communities of origin in Ireland seeking the return and reburial of other human remains in the Haddon/Dixon collection including those collected from Finian’s Bay, Co. Kerry and the Aran Islands as well as other human remains’ collections at TCD.

https://www.tcd.ie/news_events/articles/trinity-college-dublin-launches-legacies-review-working-group-/

It’s been a long campaign (link to AJEC blog) that is now drawing to a close, and, on behalf of everyone involved, I thank you for all your support and work.

Ciarán Walsh, curator.ie

Blogging resumes on Ballymaclinton: An Irish giant, 24 stolen skulls, one colonial legacies project and a slave owner named Berkeley.

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Posted by Ciaran Walsh on January 13, 2023 – 12:56 pm

Filed under Comment, Public Engagement, Research

I suspended work on my Ballymaclinton blog while writing my book on Haddon for Berghahn Books New York, but the announcement that the Trustees of the Hunterian Museum in London have withdrawn the skeleton of Charles O’Brien – an Irish giant known and Charles Byrne – from public display brought the resumption of blogging forward by a couple of weeks.

The ethics of such displays were an important part of my research and the subject of a previous blog on Cornelius Magrath, another Irish giant. It seemed like a good time to resume blogging and An Irish giant, 24 stolen skulls, one colonial legacies project and a slave owner named Berkeley is the first of a new series of blogs that feature aspects of my recent research and current activism.

Preview:

Brendan Holland in the Anatomy Museum TCD during the filming of The Giant Gene for BBC. Photo Chris Nikkel. Chris Nikkel and Brendan Holland filmed part of their documentary The Giant Gene in the museum and a key question for Holland, as a contemporary Irish giant, was whether he would like his bones to go on public display like Magrath in Dublin and O’Brien in London.

What does the removal of the skeleton of Charles Byrne from public display in London mean for Trinity College Dublin with regard to its retention of 24 skulls stolen from community burial grounds in Inishbofin, the Aran Islands and St. Finian’s Bay, Kerry? The repatriation of these remains has become a test case for the colonial legacies project initiated by Prof Ciarán O’Neill in 2020 and the question now is whether the issue of human remains in collections in London and Dublin tells us anything about the impending judgement on Berkeley’s involvement in slavery. …

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Is the TCD statement on the stolen skulls of Inishbofin a missed opportunity?

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Posted by Ciaran Walsh on December 14, 2022 – 6:25 pm

Filed under Advocacy and Activism, Stolen Skulls

The statement issued by the Board of TCD in relation to Inishbofin is welcome for the fact that the Board finally considered the question of what to do with stolen human remains held by the college. However, the statement falls far short of the islanders’ petition seeking the immediate return of the remains of their ancestors and it is clear that TCD is determined to deal with this as a matter of de-accession by request rather than repatriation by right, ignoring all the evidence submitted to TCD in recent weeks by the repatriation project and its supporters.

A spokesperson for TCD has confirmed to media sources that a decision has not been made to return the skulls. TCD is busy trying to spin this as a major advance in its plan to deal with colonial legacies, but the decision merely restates the blocking strategy the School of Medicine adopted in August. All the rest is spin and the colonial legacies project looks incapable of getting its agenda adopted in the face of opposition. We will continue to press for the immediate return of the remains.

Read on:

https://www.washingtonpost.com/history/2022/12/14/ireland-skulls-inishbofin-trinity-college/

https://www.theguardian.com/world/2022/dec/14/trinity-college-dublin-considers-returning-inishbofin-skulls

https://www.irishtimes.com/culture/2022/11/19/saga-of-the-inisbofin-skulls-we-just-want-to-bury-our-dead-in-the-traditional-way/

Inishbofin Islanders demand repatriation of remains held in TCD

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Posted by Ciaran Walsh on November 19, 2022 – 9:01 am

Filed under Advocacy and Activism, Public Engagement

As of Friday last (November 18, 2022) 150 members of the Inishbofin community had signed a petition demanding the repatriation of the remains of thirteen islanders stolen from the burial ground on the island in 1890 and placed in a collection of anthropological specimens in the Anatomy Museum in TCD, where they remain in their original display cases.

Marie Coyne, Director of Inishbofin Heritage launched a repatriation campaign ten years ago after reading about the theft in an exhibition of ethnographic photographs held by TCD. In 2020, Coyne co-signed a letter to Paddy Prendergast, Provost of TCD, seeking the repatriation of the remains after he announced plans to ‘decolonise’ the college campus. Prendergast agreed that the remains should be returned but the college did a U-turn after a committee tasked with the redevelopment of the Anatomy Museum objected.

Behind the scenes negotiations continued, but little progress was made and in August 2022 a spokesperson for the “Old’ Anatomy Working Group confirmed that TCD School of Medicine was is ‘not in a position to support a request for deaccession of the crania and transfer to the possession of private individuals or historical interest groups’.

Two weeks later, community representatives and repatriation campaigners attended a meeting Provost Linda Doyle organised with members of the colonial legacies team and a decision on repatriation seemed imminent. It never happened and sources in TCD confirmed that Council of the university agreed with the School of Medicine.

TCD sent a delegation to the island in November for a public meeting with the community. The delegates outlined how the college intended to process the claim as part of the Trinity Colonial Legacies project and asked for the community to engage with the process. The community responded with a unanimous show of hands demanding the repatriation of the remains held by TCD and this was repeated as an emphatic mandate when the delegation refused to engage with proposals from the floor.

26 people attended that meeting although many more islanders could not be present because of a funeral and the timing of the meeting. It was decided to confirm the show of hands with a petition of the full community and the petition will be sent to TCD early next week. In the meantime, the Trinity Colonial Legacies project is finalising a process of public consultation and evidence gathering that it hopes will persuade the Board of the college to support the repatriation process in the face of continued opposition from the School of Medicine, even though they accept that they are asking the community to jump through hoops.

The Ann Doherty Collection goes on show

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Posted by Ciaran Walsh on September 29, 2022 – 7:32 am

Filed under Archive Projects, Curatorial Projects, Photography

The Ann Doherty Collection is an archive of photographic material, typescripts, and print journalism generated by Ann Doherty while working as a social-documentary photographer and photojournalist between 1997 and 2005. Donegal County Council Archives Service acquired her collection in 2018 and, with the assistance of the Heritage Council, employed Ciarán | curator.ie to catalogue the entire collection and digitise 100 images for exhibition in the County Museum. “A Common Humanity: Full Circle” opened in Letterkenny on September 22, 2022 in preparation for Culture Night.

“Head-hunting” in TCD: negotiations begin on the repatriation of the Haddon Dixon Collection.

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Posted by Ciaran Walsh on September 6, 2022 – 9:31 am

Filed under Curatorial Projects, Public Engagement

Group photograph showing PatO'Leary, St Finian's Bay, Cathy Galvin, journalist and poet, Pegi Vail, anthropologist at NYU, Ciarán Walsh, curator.ie, the main square in Trinity College Dublin ahead of a meeting with Provost Linda Doyle to negotiate the return and burial of the Haddon Dixon Collection, a collection of skulls stolen from community burial grounds in the west of Ireland in 1890 and held in the "Old" Anatomy Museum in the University.

The Haddon Dixon Repatriation delegation gathers in TCD ahead of a meeting with Provost Linda Doyle and her colonial legacies team. L-R: Pat O’Leary, St Finian’s Bay community representative, Cathy Galvin, journalist and poet, Pegi Vail anthropologist and film maker at New York University, and Ciarán Walsh, curator.ie.

A delegation from the Haddon Dixon Repatriation Project (above) met with Provost Linda Doyle’s colonial legacy team to begin negotiations on the return and burial of the Haddon Dixon Collection, a collection of 24 skulls stolen from community burial grounds in the west of Ireland in 1890 and currently held in the “Old” Anatomy Museum in the University.

Pat O’Leary opened the meeting by presenting the community perspective on the repatriation claim. Cathy Galvin read a statement on behalf on Marie Coyne, Inishbofin Heritage Museum, who initiated the claim in 2012. A large contingent of community representatives attended via zoom. Eoin O’Sullivan, Senior Dean in the School of Social Work and Social Policy, and Ciarán O’Neill, Ussher Associate Professor in Nineteenth-Century History, responded and the discussion that followed marked the commencement of a public engagement process that will inform a decision on the repatriation claim, which is expected in December 2022.

Photograph showing a sign that reads "Inishbofin, Haddon & Dixon." Visible in the background are a series of skull wrapped in plastic and stored on shelves in a glass-fronted cabinet, one of the display cases in the "Old " Anatomy Museum in Trinity College Dublin.

Bérose publishes Walsh’s “masterpiece” on Haddon

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Posted by Ciaran Walsh on August 30, 2022 – 7:31 am

Filed under Curatorial Projects

with permission of the Royal Irish Academy © RIA

29 August, 2022

We’re very happy to announce the publication of your masterpiece on Haddon. It goes with an enriched topical dossier.

Christine Laurière & Frederico Delgado Rosa (directeurs/directors)Anabel Vazquez (éditrice/editor)

Encyclopédie internationale des histoires de l’anthropologie
International Encyclopaedia of the Histories of Anthropology

Abstract:

Haddon was written out of the story of disciplinary anthropology in his own lifetime for the same reasons that make him interesting today. He stood in solidarity with the victims of colonialism and his advocacy of an engaged, social and cultural anthropology was widely interpreted as an attack on the academy, church, state, and empire. Moreover, Haddon was the ultimate trickster, a situationist who adopted the persona of a head-hunter to disrupt … continue at https://www.berose.fr/article2641.html?lang=en

Ann Doherty | A Common Humanity

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Posted by Ciaran Walsh on August 24, 2022 – 1:56 pm

Filed under Archival/Curation Projects, Photography

The first phase of the Ann Doherty Project is complete.

Working with County Archivist Niamh Brennan, Ciarán Walsh and Ann Doherty selected and digitised 75 images from the Ann Doherty Collection. The focus now moves to the County Museum where Caroline Carr and Judith McCarthy are putting the exhibition together. The exhibition is titled A Common Humanity and is scheduled to open on September 22, 2022.

Meanwhile, work begins on cataloguing the collection and putting it in online alongside other collections in the archives.

curator.ie begins work on the Ann Doherty collection in Donegal County Archives Service

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Posted by Ciaran Walsh on July 6, 2022 – 1:08 pm

Filed under Curatorial Projects

Ciarán Walsh begins work on the Ann Doherty Collection in Donegal County Archives Service. Photo: Niamh Brennan, Archivist at Donegal County Council.

Donegal County Council Archives Service acquired a collection of photographs by Ann Doherty in 2018. Doherty worked as a photojournalist with the Sunday Times Magazine between 1998 and 2005 and documented ordinary people living in extraordinary situations across the world. She documented poverty in Blair’s Britain and travelled through post-communist Caucasus countries, Ukraine, and the Balkans. She also worked in Jordan, Egypt, and Sierra Leone. Doherty grew up in England, but her grandmother lived on Gola Island, a small island off the coast of Donegal. This was the subject of her first commission and it remained a major influence on her work as a social documentary photographer.

The Heritage Council awarded Donegal County Archives Service a Heritage Stewardship grant to employ an archivist / curator to work with County Archivist Niamh Brennan and catalogue, digitise, and prepare the collection for exhibition in partnership with Caroline Carr and Judith McCarthy in the County Museum. Ciarán Walsh began work on the project in July, working alongside Niamh Brennan and Ann Doherty on the selection and digitising of 75 images for exhibition. The second phase of the project got underway in August and an exhibition of Doherty’s photographs titled A Common Humanity is scheduled to open in Donegal County Museum in Letterkenny on September 22.

Rewriting the history of Irish anthropology part 1: BEROSE International Encyclopaedia.

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Posted by Ciaran Walsh on July 6, 2022 – 12:16 pm

Filed under Comment, Criticism, Research

Anon. 1885. Dredging party, 1885, with friends.
Sitting, left to right: A.C. Haddon (in front of light suit), S. Haughton, W. S. Green, C. B. Ball;
Standing: Sir D’Arcy W. Thompson (light suit), Sir R. S. Ball (yachting cap), Valentine Ball (at end of trawl),
Permission of the Royal Irish Academy © RIA

BEROSE International Encyclopaedia of the Histories of Anthropology has commissioned Ciarán Walsh to write a new entry on the life and work of Alfred Cort Haddon (1865 – 1940). The entry draws on independent post-doc research for a ground-breaking reassessment of Haddon’s contribution to the modernisation of anthropology that Berghahn Books commissioned as part of its series on Anthropology’s Ancestors. Alfred Cort Haddon: a very English savage (in Ireland) is due out in 2023 and represents a radical reworking of Haddon’s work as an artist, philosopher, ethnologist and anti-racism activist whose experiments in photo-ethnography cinematography constitute a singularly modernist achievement in anthropology.

The timing couldn’t be better. The photograph above records a seminal moment in the brave new world of practical marine biology which sets the scene for Haddon’s enthusiastic entry into ethnology two years later, an event that was so disruptive it triggered a decade-long battle with anatomists who attempted to restrict academic anthropology to the study of the natural history of the human species in situations defined by theoretical positions compatible with empire and evolution. This scenario has its analogue in the current stand-off between those who see anthropology as an engaged and essentially emancipatory project and those who operate a restricted form of practical anthropology within a neoliberal academy.

As such, the BEROSE entry represents the first part of a new history of anthropology in Ireland. It addresses key themes of the current debate about what it means to do anthropology (to borrow a phrase from Clifford Geertz) in the intertwined contexts of an engagement with colonial legacies sparked by the Black Lives Matter Movement, legislated genocide in the Amazon and other flash-points across the globe, and the restrictions on knowledge production that characterise a neoliberal academy.

BEROSE will publish “Artist, Philosopher, Ethnologist and Activist: The Life and Work of Alfred Cort Haddon (1855-1940)” by Ciarán Walsh in August 2022.

Author Archives: Ciaran Walsh

TCD to announce return of ancestral remains to Inishbofin

Blogging resumes on Ballymaclinton: An Irish giant, 24 stolen skulls, one colonial legacies project and a slave owner named Berkeley.

Is the TCD statement on the stolen skulls of Inishbofin a missed opportunity?

Inishbofin Islanders demand repatriation of remains held in TCD

The Ann Doherty Collection goes on show

“Head-hunting” in TCD: negotiations begin on the repatriation of the Haddon Dixon Collection.

Bérose publishes Walsh’s “masterpiece” on Haddon

Abstract:

Ann Doherty | A Common Humanity

curator.ie begins work on the Ann Doherty collection in Donegal County Archives Service

Rewriting the history of Irish anthropology part 1: BEROSE International Encyclopaedia.

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