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Category Archives: Anthropology | Curatorial Projects

Masterclass at the 2023 Atlantic Anthropological workshop on 23 April .

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Posted by Ciaran Walsh on April 21, 2023 – 4:13 pm
Filed under Anthropology | Curatorial Projects, Conference

I will present a masterclass at the 2023 Atlantic Anthropological / Antraipeolaíochta Atlantach workshop at the Sacred Heart Dingle Campus in Daingean Uí Chúis, Co. Kerry. Convened by Dr. James Cuffe (University College Cork) and Dr. Fiona Murphy (Dublin City University), the workshop offers a multi-modal exploration of anthropology in its broadest sense, an objective that resonates profoundly with historical and contemporary themes in my research, which Berghahn Books will publish in September 2023.

To explain: In 1895 Haddon called for the study. of anthropology in its widest sense, challenging restrictions placed on the investigation under the name of anthropology of a variety of social, philosophical and political topics, a doctrine enforced by anatomists who advocated a politically conservative construction of evolutionist biology. In 2020, I completed my doctoral research on Haddon’s involvement in the skull measuring business in Ireland, when a similar debate was happening in anthropology and sociology. That focussed my attention on what, practically speaking, becoming an anthropologist means nowadays, especially as I come from a visual arts background, and becoming an anthropologist was somehow accidental. As contradictory as it sounds, that is the theme of my masterclass.

The Stolen Skulls of Inishbofin. Photo, by Marie Coyne (2022) of Inishbofin Island off the coast of Galway in Ireland. The ruin of St Colman's Monastery provides a backdrop for the contemporary burial ground in the foreground. Haddon and Dixon stole thirteen crania (skulls without jaw bones) from the monastery in 1890, and gave the collection to Trinity College Dublin. Marie Coyne and Ciarán Walsh began campaigning for their return in 2012.
The Skull Passage, TCD. Photo by Walsh (2016) of Victorian Display cases containg the Anthropological Collection of the Anatomy Museum in Trinity Colledge Dublin (TCD), which incudes a collection of 24 crania (skulls without jawbones) Haddon and Dixon stole from monasteries in the west of Ireland in 1890, and gave to TCD. The photo shows a narrow corridor lined with display cases . The stolen skulls from Inisshbofin held in the deisplay case in the foreground and are labelled ‘Inishbofin, Haddon & Dixon’ Marie Coyne and Ciarán Walsh began campaigning for their return in 2012.
Peadar Mór, Ciarán Walsh and Muiris Ó Conghaille taking a break during filming on Inis Meáin, 2014.
Gearóid Cheaist Ó Catháin, the last child to live on the Great Blasket Island with Dáithí de Mórdha, The Great Blasket Centre,  in front of a photograph of Gearóid with his Grandfather Maurice Mhuiris Ó Catháin, taken by Dan MacMonagle after the Island was evacuated in 1953.
A photograph of an article by Ciarán Walsh, www.curator.ie of an article published by him in the Irish independent. The article relates to the activities of Charles R. Browne (1867-1931), an anthropologist who was active in the west of Ireland between 1891 and 1900. Browne is the subject of a major project by Ciarán Walsh / www.curator.ie and a touring exhibition that is on a nationwide tour, from Dingle to the Aran Islands to Connemara and the National Museum in Mayo. The photo also contains a skull, a reference to Brownes habit of collecting skulls as anthropometric specimens, the origin of the projecta title: The Irish Headhunter.
circle of texture grey back ground with the words www.curator.ie embossed on it. designed by Ciarán n Walsh

Decolonising public spaces in Ireland: a practical contribution

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Posted by Ciaran Walsh on April 15, 2021 – 1:21 pm
Filed under Anthropology | Curatorial Projects

Ciarán Walsh’s latest post on RTÉ Brainstorm (14|04|2021) summarises a long campaign to repatriate 24 skulls stolen in 1890 from burial grounds in the west of Ireland by agents of the Anthropological Laboratory in Trinity College, Dublin.

Read: The case of the missing skulls from Inishbofin


The colonial legacies of universities and museums have become an issue, especially culturally sensitive material like human remains in anthropological collections that were tainted by colonial violence and scientific racism.


www.rte.ie

one editor, two curators & one new history of anthropology

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Posted by Ciaran Walsh on June 20, 2020 – 12:06 pm
Filed under Advocacy and Activism, Anthropology | Curatorial Projects, Journalism

https://www.independent.ie/irish-news/the-victorian-curator-who-railed-against-racism-and-imperialism-39297723.html

Today, the Irish Independent publishes a segment of my research on the skull-measuring-business in Ireland in the 1890s. Commissioned by Jon Smith, Editor of the Review at the Irish Independent, this article looks back at a column that Alfred Cort Haddon wrote for the newspaper in 1893 and 1894, when it traded as The Daily Irish Independent.

Haddon worked as a curator in the Natural History Museum in Dublin and, at first glance, he seemed to be writing a general guide to the collections in the Museum for the readers of the newspaper. However, a closer reading reveals a wonderfully subversive allegory that anticipates the Black Lives Matter movement and Tribal Voice, the 2020 anti-genocide online campaign co-ordinated by Survival International.

It is fitting that the current version of The Daily Irish Independent should publish this piece and, in the process, completely subvert the history of anthropology in Ireland.

So, to participate in a small moment of history, go out and buy the Irish Independent today.

Becoming an Anthropologist

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Posted by Ciaran Walsh on January 21, 2020 – 1:37 pm
Filed under Anthropology | Curatorial Projects

Last Friday, I became an anthropologist after I successfully defended my PhD thesis at Maynooth University (MU), where I made a short presentation about my research on the skull measuring business in Ireland and answered questions from a panel of experts who were appointed to assess the quality of my research and the arguments presented in my thesis.

Dr David Shankland, Director of the Royal Anthropological Institute in London, agreed to act as external examiner when I submitted my thesis in October 2019. He described it as an excellent piece of research, which, if grades were given for a PhD, would have achieved the grade of summa cum laude, with the highest distinction.

Prof Hana Červinková, Head of the Dept of Anthropology at MU, agreed to act as an internal examiner. She led an interesting discussion of the relationship between my work as a visual arts curator and an anthropologist, which revealed the extent to which a brief exposure to anthropology in art college in the 1980s had a profound influence on my work as a curator ever since. It was at that point in the discussion that I realised that I had become an anthropologist.

Dr. Thomas Flavin agreed to chair the examination and Dr Mark Maguire and Prof David Prendergast, my supervisors, attended as observers, as is the practice on these occasions. Prof Martina Hennessy represented TCD School of Medicine, which is a research partner in this project.

L-R: Chair Dr. Thomas Flavin (Associate Professor, Economics, Finance and Accounting, MU), Supervisor Prof David Prendergast (Dept of Anthropology MU), external examiner Dr David Shankland (Director, Royal Anthropological Institute, London), internal examiner Prof Hana Červinková (Head of Dept of Anthropology, MU), Ciarán Walsh, IRC Scholar, and supervisor Dr Mark Maguire (Dean of the Faculty of Social Sciences, MU).

The panel decided that I should be awarded a Doctorate degree without further examination, subject to making the changes specified to the satisfaction of my internal examiner, a process that should take a couple of weeks. Then I submit hardbound copies of my thesis and I become a Doctor of Philosophy (Anthropology) at a conferring ceremony in Maynooth University in September 2020.

Acknowledgements

My thesis represents the culmination of groundbreaking and critically acclaimed work on John Millington’s Synge’s ethnographic photography, which was developed in the “Irish Headhunter” project with co-curator Dáithí De Mórdha. This led into this study of the skull measuring business and the associated development by Alfred Cort Haddon of an early form of modern visual ethnography in the west of Ireland in the 1890s. This project was truly collaborative and would not have been possible without the support of many people in Dublin, Cambridge, London, and, of course, Ballyheigue.

There isn’t enough space to acknowledge individual contributions here, but I do want to acknowledge the support – financial and otherwise – of the Irish Research Council and Shanahan Research Group over a period of almost 5 years. With regard to the academic programme, I acknowledge the generosity of everyone in Cambridge University Library, Cambridge University Museum of Archaeology and Anthropology, the Haddon Library, Trinity College Dublin, and the support, hard work, patience, and perseverance of everyone in the Anthropology Department at Maynooth University.

Thank You | Míle Buíochas

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STORYTELLING FESTIVAL LAUNCHES BUSY AUTUMN SCHEDULE FOR CURATOR.IE



curator.ie finds oldest surviving photo of Skellig



stolen skulls start the long journey home to Inishbofin



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