
A. F. Dixon, Untitled, 1890. Digital print from scan of silver gelatine, glass-plate negative (Ciarán Rooney, 2019). The original negative is held in in the School of Medicine, Trinity College, University of Dublin.
© curator.ie
‘Haddon and the Aran Islands’ is an exhibition of twenty five photographs that builds on Ciarán Walsh’s newly published book on Alfred Cort Haddon’s work as a photographer and anthropologist in Ireland in the 1890s. A Very English Savage will be launched in the Royal Anthropological Institute on 31 October 2023. More at Ballymaclinton.

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A Very English Savage | some loose ends, updates and errata etc.
A Very English Savage is aimed at a general reader and, so, breaks many conventions associated with academic publishing. curator.ie goes one step further in introducing an online component on the Ballymaclinton blog site. This allows me to pick up any loose ends, errata etc in the book as well as adding additional research that followed the end of writing. It also creates an online space for engagement with readers of the book.
As far as motivation goes, lack of space combined with the complexity of the ground covered meant that I included heavily edited versions of some arguments in A Very English Savage, with the inevitable consequence of loose ends. That prompted this experiment in hybrid, interactive and engaged publishing. After all, that is what Haddon did in the 1890s when he combined journalism and slide shows as a work around to limits of the publication of his photographs and his unorthodox, anticolonial views on the nature of anthropology.
Left. Haddon on board the S. S. Brandon in 1885 (detail), with permission Royal Irish Academy © RIA. Right. Synge in Paris in 1897 (curator.ie collection).
The first ‘loose end’ on the list is, of course, Synge and his photography. That is where this whole project started way back in 2009 and, post publication, remains an active area of investigation. I propose in A Very English Savage that Haddon’s work in the Aran Islands provided an ethnographic baseline for later work by literary modernists like Synge and cultural nationalists like Hyde. However, the evidence presented was limited by space to a series of outlines and the Ballymaclinton blog provides the space to publish the notes that furnished those outlines as well additional research carried out in 2023.
A Very English Savage | ‘the head-hunter’ and ‘the playboy will be followed by updates on the importance of the field club movement as a contact point for Haddon, Synge and Hyde. The series will also include posts about the cameras used by Haddon and Synge in the field, along with separate posts on the twenty five photographs featured in the Haddon and the Aran Islands exhibition currently on show in the Royal Anthropological Institute.
Other ‘loose ends‘ include what it meant to become an anthropologist in 2020, when a stand off between a humanitarian tradition of engaged anthropology and an academic discipline of political utility achieved a level of controversy in the wake of a resurgent Black Lives Matter movement. This part of the series will pick up on what it means to engage with the history of anthropology at a time when the very idea of anthropology is contested and, so, add a critical and contemporary edge to the series. That strand kicks off on 4 December 2023 with the inaugural, online conference of the History of Anthropology Network.
John Millington Synge. 1898, Digital photograph from scanned silver gelatine negative (Timothy Keefe, Sharon Sutton 2009). Courtesy of the Board of Trinity College, University of Dublin.