• publications
  • projects

Category Archives: Photography

TCD to announce return of ancestral remains to Inishbofin

Comments Off on TCD to announce return of ancestral remains to Inishbofin
Posted by Ciaran Walsh on February 22, 2023 – 11:40 am
Filed under Curatorial Projects, Stolen Skulls
The Stolen Skulls of Inishbofin. Photo, by Marie Coyne (2022) of Inishbofin Island off the coast of Galway in Ireland. The ruin of St Colman's Monastery provides a backdrop for the contemporary burial ground in the foreground. Haddon and Dixon stole thirteen crania (skulls without jaw bones) from the monastery in 1890, and gave the collection to Trinity College Dublin. Marie Coyne and Ciarán  Walsh began campaigning for their return in 2012.

Marie Coyne, 2022, St Colman’s Monastery and burial ground.

It is expected that the board of TCD will decide today (22 February 2023) to return to Inishbofin the ancestral remains Haddon and Dixon stole in 1890.

We were unable to achieve the return of the Árann and St Finian Bay remains as part of this deal, but there is now a procedure in place in TCD to submit claims in respect of these remains:

It should also be stressed that this document focuses specifically on the Inishbofin case though it has potential relevance for future requests from other communities of origin in Ireland seeking the return and reburial of other human remains in the Haddon/Dixon collection including those collected from Finian’s Bay, Co. Kerry and the Aran Islands as well as other human remains’ collections at TCD. 

https://www.tcd.ie/news_events/articles/trinity-college-dublin-launches-legacies-review-working-group-/

It’s been a long campaign (link to AJEC blog) that is now drawing to a close, and, on behalf of everyone involved, I thank you for all your support and work.

Ciarán Walsh, curator.ie

circle of texture grey back ground with the words www.curator.ie embossed on it. designed by Ciarán n Walsh

The Ann Doherty Collection goes on show

Comments Off on The Ann Doherty Collection goes on show
Posted by Ciaran Walsh on September 29, 2022 – 7:32 am
Filed under Archive Projects, Curatorial Projects, Photography

The Ann Doherty Collection is an archive of photographic material, typescripts, and print journalism generated by Ann Doherty while working as a social-documentary photographer and photojournalist between 1997 and 2005. Donegal County Council Archives Service acquired her collection in 2018 and, with the assistance of the Heritage Council, employed Ciarán | curator.ie to catalogue the entire collection and digitise 100 images for exhibition in the County Museum. “A Common Humanity: Full Circle” opened in Letterkenny on September 22, 2022 in preparation for Culture Night.

Bérose publishes Walsh’s “masterpiece” on Haddon

Comments Off on Bérose publishes Walsh’s “masterpiece” on Haddon
Posted by Ciaran Walsh on August 30, 2022 – 7:31 am
Filed under Curatorial Projects

with permission of the Royal Irish Academy © RIA

29 August, 2022

We’re very happy to announce the publication of your masterpiece on Haddon. It goes with an enriched topical dossier.

Christine Laurière & Frederico Delgado Rosa (directeurs/directors)Anabel Vazquez (éditrice/editor)

Encyclopédie internationale des histoires de l’anthropologie
International Encyclopaedia of the Histories of Anthropology

Abstract:

Haddon was written out of the story of disciplinary anthropology in his own lifetime for the same reasons that make him interesting today. He stood in solidarity with the victims of colonialism and his advocacy of an engaged, social and cultural anthropology was widely interpreted as an attack on the academy, church, state, and empire. Moreover, Haddon was the ultimate trickster, a situationist who adopted the persona of a head-hunter to disrupt … continue at https://www.berose.fr/article2641.html?lang=en

Ann Doherty | A Common Humanity

Comments Off on Ann Doherty | A Common Humanity
Posted by Ciaran Walsh on August 24, 2022 – 1:56 pm
Filed under Archival/Curation Projects, Photography

The first phase of the Ann Doherty Project is complete.

Working with County Archivist Niamh Brennan, Ciarán Walsh and Ann Doherty selected and digitised 75 images from the Ann Doherty Collection. The focus now moves to the County Museum where Caroline Carr and Judith McCarthy are putting the exhibition together. The exhibition is titled A Common Humanity and is scheduled to open on September 22, 2022.

Meanwhile, work begins on cataloguing the collection and putting it in online alongside other collections in the archives.

curator.ie begins work on the Ann Doherty collection in Donegal County Archives Service

Comments Off on curator.ie begins work on the Ann Doherty collection in Donegal County Archives Service
Posted by Ciaran Walsh on July 6, 2022 – 1:08 pm
Filed under Curatorial Projects

Ciarán Walsh begins work on the Ann Doherty Collection in Donegal County Archives Service. Photo: Niamh Brennan, Archivist at Donegal County Council.

Donegal County Council Archives Service acquired a collection of photographs by Ann Doherty in 2018. Doherty worked as a photojournalist with the Sunday Times Magazine between 1998 and 2005 and documented ordinary people living in extraordinary situations across the world. She documented poverty in Blair’s Britain and travelled through post-communist Caucasus countries, Ukraine, and the Balkans. She also worked in Jordan, Egypt, and Sierra Leone. Doherty grew up in England, but her grandmother lived on Gola Island, a small island off the coast of Donegal. This was the subject of her first commission and it remained a major influence on her work as a social documentary photographer.

The Heritage Council awarded Donegal County Archives Service a Heritage Stewardship grant to employ an archivist / curator to work with County Archivist Niamh Brennan and catalogue, digitise, and prepare the collection for exhibition in partnership with Caroline Carr and Judith McCarthy in the County Museum. Ciarán Walsh began work on the project in July, working alongside Niamh Brennan and Ann Doherty on the selection and digitising of 75 images for exhibition. The second phase of the project got underway in August and an exhibition of Doherty’s photographs titled A Common Humanity is scheduled to open in Donegal County Museum in Letterkenny on September 22.

Skeletons in the cupboard: anthropology and the diversity debate

Comments Off on Skeletons in the cupboard: anthropology and the diversity debate
Posted by Ciaran Walsh on November 24, 2020 – 7:24 pm
Filed under Curatorial Projects
https://www.tcd.ie/library/berkeley/wp-content/uploads/2017/01/cropped-P7015055.jpg

Cultural diversity in universities has been pushed to the top of the agenda by the Black Lives Matter movement and TCD has taken the its first steps towards a decolonised campus … maybe.

College authorities are considering renaming the Berkeley Library because Berkeley was a slaver: he enslaved four people on his plantation in Rhode Islands in the 1700s. Decolonising the campus will involve more than renaming a building or two. It may involve dismantling the Anthropological Collection in the ‘Old’ Anatomy Museum in line with international calls for the decolonisation of museums that hold culturally sensitive material.

Alfred Cort Haddon and Andrew Francis Dixon stole thirteen crania from a burial ground on Inishbofin Islands and TCD acquired the skulls in 1892.

The Anthropological Collection in TCD holds 24 crania stolen from burial grounds in the west of Ireland in 1890, making it one of the most culturally sensitive collection in the context of calls for western museums “to return objects looted in the violent days of empire.” (The Guardian).

Watch this space!

New history of Anglo-Irish anthropology marks the centenary of the Haddon Library in Cambridge

Comments Off on New history of Anglo-Irish anthropology marks the centenary of the Haddon Library in Cambridge
Posted by Ciaran Walsh on September 25, 2020 – 9:48 am
Filed under Curatorial Projects, History of Anthropology

old tropes & new histories: an “Irish” reading of the Haddon Papers

is the theme of a 15 minute presentation by Dr Ciarán Walsh marking the centenary of the establishment of the Haddon Library. The event is part of Cambridge University’s Alumni Festival 2020 and is especially significant given that Walsh’s groundbreaking study of Haddon’s role in anglo-Irish anthropology started at the Alumni Festival in 2013.

The Irish section of the Haddon Library in 2013

Aidan Baker, the Haddon Librarian, invited Walsh to curate an exhibition of photographs from the Irish Ethnographic Survey as part of Alumni Festival 2013. The photo above captures the low level of interest in Ireland at the time, but, in preparation for the opening, Aidan searched the “locked room” for Haddon’s personal copy of the seminal “Ethnography of the Aran Islands, County Galway”, which the Royal Irish Academy published in 1893. For some reason Haddon didn’t keep a copy, but Aidan found his file on the Aran Islands, which had been ‘missing’ for a century or so.  

Aidan Baker, Haddon Librarian, with Haddon’s file on the Aran Islands, which was separated from the main body of his papers in 1913 and found in the Haddon Library in 2013.

That file contained ten pages from a journal that Haddon kept during his first visit to the islands in 1890, a manuscript of a commentary for the ethnographic slideshow that he performed on his return to Dublin, a sketchbook, photographic plates from “Ethnography of the Aran Islands, County Galway,” a map and other documents.

This triggered a sustained reading of the Irish component of the Haddon Papers in Cambridge University Library, guided initially by Dr John Pickles. That began in 2014 and culminated in a radical review of Haddon’s contribution to the development of Anglo-Irish anthropology in the 1890s: a major piece of doctoral research (funded by the Irish Research Council) that has just been completed.,

A small part of that research will be presented in this exploration of new facets of the life and career of Alfred Cord Haddon:

https://www.alumni.cam.ac.uk/festival/events/the-haddon-library-at-100-–-new-facets-of-alfred-haddon

Maynoothy University awards Ciarán Walsh a Doctor of Philosophy (Arts) Degree.

Comments Off on Maynoothy University awards Ciarán Walsh a Doctor of Philosophy (Arts) Degree.
Posted by Ciaran Walsh on September 15, 2020 – 4:04 pm
Filed under Curatorial Projects
Ciarán Walsh and Nuala Finn “attend” an online awards ceremony during which Maynooth University conferred Walsh with a Doctor of Philosophy (Arts) degree.
Dr Mark Maguire, Dean of Social Sciences at Maynooth University, announcing the award in a video posted on YOUTUBE.

Walsh’s research, funded by the Irish Research Council, uses the scientific study of race in an historical context to create a scientifically robust platform to challenge racism in a contemporary context, creating an interface between academic anthropology and civil society activism by employing a range of public engagement strategies.

It has been widely recognised as an original contribution to the history of anthropology, challenging a long-held consensus that anthropology, as practiced in in Ireland in the 1890s, was a uniformly evolutionist and colonial enterprise. Walsh argues that Haddon was influenced by anarchists and ant-imperialists and developed photography as an instrument of anti-colonial activism, which functions as an analogue of contemporary anti-racism campaigns.

A detail of Haddon’s photograph of Gododo, taken in the Torres Strait in 1888, juxtaposed with a screen grab form Celia Xakriabia’s video calling for an end to “legislated” genocide in the Amazon.

Haddon was primarily a photographer who used the study of folk-lore, art and dance – which he defined in 1895 as the study of the “deepest and most subtle ideas of mankind” – to humanise and socialise anthropology, which was restricted to the anatomical study of the natural history of the human species within the academy.

Haddon operated on an extramural basis, jumping the academic wall and working through a network of folklore and naturalist organisations, becoming an important resource for cultural nationalists in Ireland. This brought him into conflict with the academy, a confrontation that prefigures current debates about the relationship between academic anthropology and anthropologists who operate civic society and humanitarian contexts.

Professor David Prendergast, Dr Ciarán Walsh, and Mark Maguire.

To conclude, Walsh’s study of The Skull Measuring Business represents an original and formally innovative study of the issue of racism in the 1890s, which, 130 years on, has become a defining issue in contemporary Ireland. It also represents a novel contribution to debates about the practice and purpose of anthropology, a debate that is as old as anthropology itself and remains as ‘lively’ as it was during Haddon’s time in Ireland.

Turning research into knowledge: EASA (Anthropology) Conference, Lisbon 2020

Comments Off on Turning research into knowledge: EASA (Anthropology) Conference, Lisbon 2020
Posted by Ciaran Walsh on February 17, 2020 – 11:57 am
Filed under Curatorial Projects

www.curator.ie in the field: Peadar Mór Ó Conghaile, Ciarán Walsh and Muiris Ó Conghaile taking a break during filming on Inis Meáin.

Do Haddon’s photographs of the Aran Islands change the history of anthropology as we know it?

I will put this question to historians of anthropology at a major conference in Lisbon in July 2020, when I present my research in a paper on Old Tropes / New Histories: an “Irish” reading of Haddon’s ethnographies.

I make the bold claim that the social-documentary approach to photography that Haddon adopted in his ethnographic studies of the Aran Islands represents the roll-out of an innovative, visual anthropology that he developed as a vehicle for anti-colonial activism in the 1890s.

That fits the theme of the 16th Biennial Conference of the European Association of Social Anthropologists (EASA). The conference will consider ‘such social, political, material and cultural currents in and beyond Europe, covering both the academic and ethnographic locations in which anthropologists work, in order to consider the ethical, political and intellectual challenges to anthropology that they pose.’


Thomas Fitzpatrick, 1894, Arran Isles. Weekly Freeman & National Press, April 21. See L. Perry Curtis’s book on The Depiction of Eviction in Ireland 1845-1910 (Fig. 38), which was published by UCD Press (University College Dublin) in 2011.

My paper addresses the sub-theme of imperial, colonial, and decolonial relations and legacies: taking the symbolic importance of the Aran Islands in the political campaign for home rule – decolonisation – in the 1890s as a starting point and projecting forward to the capacity of anthropologists to respond meaningfully to the contemporary challenges posed by climate change, habitation destruction, colonisation, forced migration, and genocide.

This builds on the work that a group of us will be doing at the Anthropology and Geography Conference in London in June 2020, but this paper is more historical in focus. It will be presented at a session that has been convened by the History of Anthropology Network to reassess ‘in creative ways ethnographic works produced by observers of the late 19th and early 20th centuries, whose writings may regain importance in the eclectic futures of the discipline.’

I will make the case that Haddon’s photographs are full of surprises, some of which raise awkward questions about the history of anthropology. What if, for instance, some of the tropes generated by historicists who framed the history of anthropology before Malinowski – whose Argonauts of the Western Pacific (1922) is generally regarded as marking the start of modern anthropology – are based on a misreading of the archive?”


Haddon took two photographs of Michael Faherty and two women from Inis Meáin (Inishmaan) in 1892, noting in The Ethnography of the Aran Islands, County Galway that that ‘Faherty refused to be measured, and the women would not even tell us their names.’ Nevertheless, they posed for two photographs and flicking between the two, one gets some sense of the nature of the engagement between the photographer and the islanders, which is very different from the sort of colonial encounter described by most historians of the history of photography in anthropology. (Courtesy of the Board of Trinity College Dublin).

My focus is on Haddon and his experimental ethnographic practice in Ireland in the first half of the 1890s. I will argue that a generation of historians of anthropology have misinterpreted Haddon’s fieldwork in Ireland, presenting as evidence an “Irish” reading of Haddon’s photographs, journals, and correspondence relating to his travels in the west of Ireland between 1890 and 1895. This is a novel vantage point from which the history of Anglo-Irish anthropology looks very, very different.

From this perspective, Haddon’s “Irish” ethnographies look like a synthesis of anarchist geography, newly developed social survey methods, and a radical attitude to village communalism: rather than the preoccupation with race, bracketed by evolution and colonialism, that sustains some well-established tropes in the historiography of anthropology.

Furthermore, I will argue that Haddon’s ethnographies have to be “seen” in the context of decolonisation in Ireland in the 1890s, making the case that Haddon’s photo-ethnographic practice was an innovative form of anti-imperial activism that emerged from a long tradition of humanitarian activism in 19th century anthropology.

That, I will propose, amounts to a more nuanced history of anthropology, which remains utterly relevant as anthropologists – practical and academic – contemplate the challenges posed by globalisation and accelerating climate change.

Vanished Knowledge: turning research into activism and advocacy

Comments Off on Vanished Knowledge: turning research into activism and advocacy
Posted by Ciaran Walsh on September 25, 2019 – 11:46 am
Filed under Curatorial Projects
The burning of the Amazon rainforest in Mato Grosso state, Brazil. Photo: Mayke Toscano/AFP/Getty Images & The Guardian

curator.ie is working with a group of activists and scholars to organise a debate about the capacity of anthropologists and geographers to confront genocide. We are putting together a panel for a major conference on anthropology and geography, which is scheduled to take place in London in June 2020.

Anthropology and Geography: Dialogues Past, Present and Future is being jointly organised by the Royal Anthropological Institute (RAI), the Royal Geographical Society, the British Academy, the Department of Anthropology and Sociology at SOAS (University of London), and the Department for Africa, Oceania and the Americas in the British Museum. It will run from 4 – 7 JUNE 2020.

The debate has been triggered by the current crisis in the Amazon, but the issue is as old as anthropology itself. That is where Dialogues Past, Present and Future come into play. We are asking people to consider the following:

40,000 fires burn in the Amazon, threatening the homeland of the Awá people. In the 1890s, anarcho-Solidarists demanded a radical political response from anthropologists, geographers, and sociologists to the threat of genocide through habitat destruction by colonists.

Was anyone listening?

The debate will be framed by an historical precedent from the 1890s, when Alfred Cort Haddon called on the anthropological community to stand in solidarity with the victims of imperialism. The call was taken up by a small group of humanitarians within organised anthropology, but they were forced underground.

Michael Faherty, Inis Meain, 1890-1, from the archive of the Irish Ethnographic Survey (1891-1903). The photograph shows a group of islanders in traditional homespuns.
Alfred Cort Haddon, 1892, Michael Faherty, and two women, Inishmaan. The photograph was taken during an ethnographic survey of the Aran Islands off the western coast of Ireland. Haddon commented that ‘Faherty refused to be measured, and the women would not even tell us their names.’ (Photo: Trinity College Dublin).

Haddon, undeterred, devised the phrase “vanishing knowledge” as code for the cultural consequences of genocide. The phrase has been resurrected here as a slightly ironic reminder of a time when anthropologists and geographers stood against genocide; a humanitarian insurgency that has been written out of the history of the discipline of anthropology.

Mohammad Salas, a 51-year-old man from Iran’s largest Sufi order, the Gonabadi Dervish religious minority. Salas was executed by the Iranian authorities after a trial that was widely condemned as a miscarriage of justice. Amnesty International.

The plight of the Awá is desperately topical, but it is not unique. There are many other groups whose way of life is threatened by economic, political, and cultural forces. The question here is whether anthropologists and geographers have the capacity to make a difference. That question will, in many ways, frame a debate about the future relevance of anthropology and geography.

If people want to get involved in this debate, the RAI and has issued a call for papers.

« Older posts
  •  

     

    HOME

     

    Anthropo lab 2016 P1180364 600 dpi

     

     

  • News

    • TCD to announce return of ancestral remains to Inishbofin
    • Blogging resumes on Ballymaclinton: An Irish giant, 24 stolen skulls, one colonial legacies project and a slave owner named Berkeley.
    • Is the TCD statement on the stolen skulls of Inishbofin a missed opportunity?
    • Inishbofin Islanders demand repatriation of remains held in TCD
    • The Ann Doherty Collection goes on show
  •  

     

    COMMENT | BLOG

     

    ballymac-banner1 400

  • ABOUT

     

    ciaran ambrotype2IMG_0001

     

     

  • CONTACT

     

    curator.ie@gmail.com

     

    +353872370846

     

    Booleenshare

    Ballyheigue

    Tralee

    Co Kerry

    Ireland

     

     




Latest News



TCD to announce return of ancestral remains to Inishbofin



Blogging resumes on Ballymaclinton: An Irish giant, 24 stolen skulls, one colonial legacies project and a slave owner named Berkeley.



Is the TCD statement on the stolen skulls of Inishbofin a missed opportunity?



www.curator.ie || Booleenshare, Co. Kerry, Ireland || web design by Kerrynet Solutions