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Ann Doherty | A Common Humanity

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Posted by Ciaran Walsh on August 24, 2022 – 1:56 pm

Filed under Archival/Curation Projects, Photography

The first phase of the Ann Doherty Project is complete.

Working with County Archivist Niamh Brennan, Ciarán Walsh and Ann Doherty selected and digitised 75 images from the Ann Doherty Collection. The focus now moves to the County Museum where Caroline Carr and Judith McCarthy are putting the exhibition together. The exhibition is titled A Common Humanity and is scheduled to open on September 22, 2022.

Meanwhile, work begins on cataloguing the collection and putting it in online alongside other collections in the archives.

curator.ie begins work on the Ann Doherty collection in Donegal County Archives Service

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Posted by Ciaran Walsh on July 6, 2022 – 1:08 pm

Filed under Curatorial Projects

Ciarán Walsh begins work on the Ann Doherty Collection in Donegal County Archives Service. Photo: Niamh Brennan, Archivist at Donegal County Council.

Donegal County Council Archives Service acquired a collection of photographs by Ann Doherty in 2018. Doherty worked as a photojournalist with the Sunday Times Magazine between 1998 and 2005 and documented ordinary people living in extraordinary situations across the world. She documented poverty in Blair’s Britain and travelled through post-communist Caucasus countries, Ukraine, and the Balkans. She also worked in Jordan, Egypt, and Sierra Leone. Doherty grew up in England, but her grandmother lived on Gola Island, a small island off the coast of Donegal. This was the subject of her first commission and it remained a major influence on her work as a social documentary photographer.

The Heritage Council awarded Donegal County Archives Service a Heritage Stewardship grant to employ an archivist / curator to work with County Archivist Niamh Brennan and catalogue, digitise, and prepare the collection for exhibition in partnership with Caroline Carr and Judith McCarthy in the County Museum. Ciarán Walsh began work on the project in July, working alongside Niamh Brennan and Ann Doherty on the selection and digitising of 75 images for exhibition. The second phase of the project got underway in August and an exhibition of Doherty’s photographs titled A Common Humanity is scheduled to open in Donegal County Museum in Letterkenny on September 22.

Rewriting the history of Irish anthropology part 1: BEROSE International Encyclopaedia.

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Posted by Ciaran Walsh on July 6, 2022 – 12:16 pm

Filed under Comment, Criticism, Research

Anon. 1885. Dredging party, 1885, with friends.
Sitting, left to right: A.C. Haddon (in front of light suit), S. Haughton, W. S. Green, C. B. Ball;
Standing: Sir D’Arcy W. Thompson (light suit), Sir R. S. Ball (yachting cap), Valentine Ball (at end of trawl),
Permission of the Royal Irish Academy © RIA

BEROSE International Encyclopaedia of the Histories of Anthropology has commissioned Ciarán Walsh to write a new entry on the life and work of Alfred Cort Haddon (1865 – 1940). The entry draws on independent post-doc research for a ground-breaking reassessment of Haddon’s contribution to the modernisation of anthropology that Berghahn Books commissioned as part of its series on Anthropology’s Ancestors. Alfred Cort Haddon: a very English savage (in Ireland) is due out in 2023 and represents a radical reworking of Haddon’s work as an artist, philosopher, ethnologist and anti-racism activist whose experiments in photo-ethnography cinematography constitute a singularly modernist achievement in anthropology.

The timing couldn’t be better. The photograph above records a seminal moment in the brave new world of practical marine biology which sets the scene for Haddon’s enthusiastic entry into ethnology two years later, an event that was so disruptive it triggered a decade-long battle with anatomists who attempted to restrict academic anthropology to the study of the natural history of the human species in situations defined by theoretical positions compatible with empire and evolution. This scenario has its analogue in the current stand-off between those who see anthropology as an engaged and essentially emancipatory project and those who operate a restricted form of practical anthropology within a neoliberal academy.

As such, the BEROSE entry represents the first part of a new history of anthropology in Ireland. It addresses key themes of the current debate about what it means to do anthropology (to borrow a phrase from Clifford Geertz) in the intertwined contexts of an engagement with colonial legacies sparked by the Black Lives Matter Movement, legislated genocide in the Amazon and other flash-points across the globe, and the restrictions on knowledge production that characterise a neoliberal academy.

BEROSE will publish “Artist, Philosopher, Ethnologist and Activist: The Life and Work of Alfred Cort Haddon (1855-1940)” by Ciarán Walsh in August 2022.

‘Head-hunter’ project enters a new phase

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Posted by Ciaran Walsh on July 5, 2022 – 7:18 am

Filed under Research

Ciarán Walsh and Mark Maguire, Dean of Social Sciences at Maynooth University after a conferring ceremony in June 2020 .

Mark and I set out on a PhD in 2015, which we both agree was ‘an-archic’ mix of art, politics, and engaged anthropology that tested the limits of the academy. Mark kept it on track and we got got through a viva with the highest distinction in June 2020. Friday was a wrap on the academic side and that marks the start of an exciting new phase the “Head-Hunter” project.

The book has gone to Berghahn Books NY and Dearcán Media’s film ‘Iarsmaí’ is about to go into production for TG4/BBC. It features a campaign to have 24 stolen skulls returned by TCD to communities in the west of Ireland, one of three interwoven stories that relate the consequences of the Black Lives Matter Movement for colonial era institutions Ireland.

We go on!

BREXIT, anarchy and folklore collection in Ireland

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Posted by Ciaran Walsh on September 20, 2021 – 3:17 pm

Filed under Curatorial Projects, Research

Routledge Taylor Francis has just published Folklore and Nation in Britain and Ireland, edited by Carina Hart and Matthew Cheeseman. It’s a multidisciplinary study of the idea of folklore and its relationship to the idea of nationhood, especially in the form of nationalist ideologies. The project developed out a lively conference organised by the Folklore Society and Derby University to coincide with the planned departure of Britain from the EU in March 2019.

Ciarán Walsh takes David Michôd’s 2019 reworking of Sheakespeare’s Henry V as an example of the mobilisation of an imagined nation at a time of crisis and links this idea to the emergence of the English-England movement that led to BREXIT. This becomes the starting point for a radically new look at the the history of folklore collection in Ireland in the 1890s, when Irish nationalists and their anti-imperial allies intensified their efforts to break the union between Ireland and the United Kingdom.

Top: Clara Patterson, 1893, Children playing “Green Gravel” in Ballymiscaw, Co Down, Ireland (© Ulster Folk and Transport Museum).

Bottom Haddon, 1898, A still form the dance of the Malu Zogo-Le on the island of Mer, Torres Strait (© National Film and Sound Archive of Australia).

Walsh revisits Haddon’s attempt to mobilise an anti-colonial, Anglo-Irish folklore movement in the 1890s as part of a ‘savage-lives-matter’ campaign that was influenced by utopian, anarchist, and anti-colonial ideas. The centre piece of this argument is Haddon’s photographic collaboration with Clara Patterson, which was part of a wider investigation of dance as a marker of the essential unity of humankind.

Walsh proposes that Haddon’s film represents a singular modernist achievement in the history of folklore/anthropology and wonders why the folklore movement he started – with its commitment to racial and gender equality – has long been eclipsed by Douglas Hyde and his followers who prioritised collection and restoration over critique and revolution?

Don’t Kick That Skull

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Posted by Ciaran Walsh on August 30, 2021 – 2:47 pm

Filed under Comment, Research

RTÉ Brainstorm has published “Don’t Kick That Skull” by Ciarán Walsh, the second part of the story of skulls stolen by Haddon and Dixon from community burial grounds in the west of Ireland in the 1890s.

Covid restrictions have forced us all to think about traditions relating to death and dying. The case of skulls stolen on Inishbofin, the Aran Islands, and The Glen (St Finian’s Bay) in 1890 has added a curious twist to that story. The Inishbofin skulls were originally held in a niche in St Colman’s Monastery on the island (see this post on Ballymaclinton) and the current keepers of the skulls, the Anatomy Dept in TCD, have used this fact to raise doubts about the origin of the skulls and contest a claim for the repatriation.

TCD has undertaken an osteo-archaeological investigation into the origin of these skulls and there is no indication as to when those results may be available. In the meantime, Ciarán Walsh completed a separate investigation into burial practices in the west of Ireland in the 1890s and published the finding on the RTÉ Brainstorm site.

“Don’t kick That Skull” reveals a tradition of using sites like St Colman’s Monastery for holding skulls found during burials and reports on a fascinating body of Irish folklore and oral history that warns people against interfering with skulls and human remains found in sites like this. The question now is whether TCD is listening?

Disrupting history at SSNCI 2021

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Posted by Ciaran Walsh on June 25, 2021 – 10:24 am

Filed under Comment

Ciaran Walsh | www.curator.ie returns to the theme of Charles R. Browne, the Irish Headhunter for a disruptive new study of the relationship between anthropology and the political establishment in the 1890 at The Society for the Study of Nineteenth Century Ireland’s (SSNCI) annual conference conference, hosted by the School of History in University College Cork.

The conference explores the idea dwellings in nineteenth-century Ireland and Walsh uses Browne study of dwellings in Mayo in 1894, 1895 and 1896 to explore why an epidemic of typhus on the small island of Inishkea came to play a pivotal role in the escalation from home rule to revolution?

If COVID has taught us anything, Walsh argues, it is that pandemics are political events and the small epidemic in Inishkea was no different. Walsh weaves the politics of anthropology and home rule into an original an disruptive exploration of what it meant to dwell on Inishkea, that is to be an Irish native in an English colony in the 1890s.

Decolonising public spaces in Ireland: a practical contribution

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Posted by Ciaran Walsh on April 15, 2021 – 1:21 pm

Filed under Anthropology | Curatorial Projects

Ciarán Walsh’s latest post on RTÉ Brainstorm (14|04|2021) summarises a long campaign to repatriate 24 skulls stolen in 1890 from burial grounds in the west of Ireland by agents of the Anthropological Laboratory in Trinity College, Dublin.

Read: The case of the missing skulls from Inishbofin

The colonial legacies of universities and museums have become an issue, especially culturally sensitive material like human remains in anthropological collections that were tainted by colonial violence and scientific racism.

www.rte.ie

Skeletons in the cupboard: anthropology and the diversity debate

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Posted by Ciaran Walsh on November 24, 2020 – 7:24 pm

Filed under Curatorial Projects

https://www.tcd.ie/library/berkeley/wp-content/uploads/2017/01/cropped-P7015055.jpg

Cultural diversity in universities has been pushed to the top of the agenda by the Black Lives Matter movement and TCD has taken the its first steps towards a decolonised campus … maybe.

College authorities are considering renaming the Berkeley Library because Berkeley was a slaver: he enslaved four people on his plantation in Rhode Islands in the 1700s. Decolonising the campus will involve more than renaming a building or two. It may involve dismantling the Anthropological Collection in the ‘Old’ Anatomy Museum in line with international calls for the decolonisation of museums that hold culturally sensitive material.

Alfred Cort Haddon and Andrew Francis Dixon stole thirteen crania from a burial ground on Inishbofin Islands and TCD acquired the skulls in 1892.

The Anthropological Collection in TCD holds 24 crania stolen from burial grounds in the west of Ireland in 1890, making it one of the most culturally sensitive collection in the context of calls for western museums “to return objects looted in the violent days of empire.” (The Guardian).

Watch this space!

New history of Anglo-Irish anthropology marks the centenary of the Haddon Library in Cambridge

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Posted by Ciaran Walsh on September 25, 2020 – 9:48 am

Filed under Curatorial Projects, History of Anthropology

old tropes & new histories: an “Irish” reading of the Haddon Papers

is the theme of a 15 minute presentation by Dr Ciarán Walsh marking the centenary of the establishment of the Haddon Library. The event is part of Cambridge University’s Alumni Festival 2020 and is especially significant given that Walsh’s groundbreaking study of Haddon’s role in anglo-Irish anthropology started at the Alumni Festival in 2013.

The Irish section of the Haddon Library in 2013

Aidan Baker, the Haddon Librarian, invited Walsh to curate an exhibition of photographs from the Irish Ethnographic Survey as part of Alumni Festival 2013. The photo above captures the low level of interest in Ireland at the time, but, in preparation for the opening, Aidan searched the “locked room” for Haddon’s personal copy of the seminal “Ethnography of the Aran Islands, County Galway”, which the Royal Irish Academy published in 1893. For some reason Haddon didn’t keep a copy, but Aidan found his file on the Aran Islands, which had been ‘missing’ for a century or so.

Aidan Baker, Haddon Librarian, with Haddon’s file on the Aran Islands, which was separated from the main body of his papers in 1913 and found in the Haddon Library in 2013.

That file contained ten pages from a journal that Haddon kept during his first visit to the islands in 1890, a manuscript of a commentary for the ethnographic slideshow that he performed on his return to Dublin, a sketchbook, photographic plates from “Ethnography of the Aran Islands, County Galway,” a map and other documents.

This triggered a sustained reading of the Irish component of the Haddon Papers in Cambridge University Library, guided initially by Dr John Pickles. That began in 2014 and culminated in a radical review of Haddon’s contribution to the development of Anglo-Irish anthropology in the 1890s: a major piece of doctoral research (funded by the Irish Research Council) that has just been completed.,

A small part of that research will be presented in this exploration of new facets of the life and career of Alfred Cord Haddon:

https://www.alumni.cam.ac.uk/festival/events/the-haddon-library-at-100-–-new-facets-of-alfred-haddon

Ann Doherty | A Common Humanity

curator.ie begins work on the Ann Doherty collection in Donegal County Archives Service

Rewriting the history of Irish anthropology part 1: BEROSE International Encyclopaedia.

‘Head-hunter’ project enters a new phase

BREXIT, anarchy and folklore collection in Ireland

Don’t Kick That Skull

Disrupting history at SSNCI 2021

Decolonising public spaces in Ireland: a practical contribution

Skeletons in the cupboard: anthropology and the diversity debate

New history of Anglo-Irish anthropology marks the centenary of the Haddon Library in Cambridge

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