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Rewriting the history of Irish anthropology part 1: BEROSE International Encyclopaedia.

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Posted by Ciaran Walsh on July 6, 2022 – 12:16 pm
Filed under Comment, Criticism, Research
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Anon. 1885. Dredging party, 1885, with friends.
Sitting, left to right: A.C. Haddon (in front of light suit), S. Haughton, W. S. Green, C. B. Ball;
Standing: Sir D’Arcy W. Thompson (light suit), Sir R. S. Ball (yachting cap), Valentine Ball (at end of trawl),
Permission of the Royal Irish Academy © RIA

BEROSE International Encyclopaedia of the Histories of Anthropology has commissioned Ciarán Walsh to write a new entry on the life and work of Alfred Cort Haddon (1865 – 1940). The entry draws on independent post-doc research for a ground-breaking reassessment of Haddon’s contribution to the modernisation of anthropology that Berghahn Books commissioned as part of its series on Anthropology’s Ancestors. Alfred Cort Haddon: a very English savage (in Ireland) is due out in 2023 and represents a radical reworking of Haddon’s work as an artist, philosopher, ethnologist and anti-racism activist whose experiments in photo-ethnography cinematography constitute a singularly modernist achievement in anthropology.

The timing couldn’t be better. The photograph above records a seminal moment in the brave new world of practical marine biology which sets the scene for Haddon’s enthusiastic entry into ethnology two years later, an event that was so disruptive it triggered a decade-long battle with anatomists who attempted to restrict academic anthropology to the study of the natural history of the human species in situations defined by theoretical positions compatible with empire and evolution. This scenario has its analogue in the current stand-off between those who see anthropology as an engaged and essentially emancipatory project and those who operate a restricted form of practical anthropology within a neoliberal academy.

As such, the BEROSE entry represents the first part of a new history of anthropology in Ireland. It addresses key themes of the current debate about what it means to do anthropology (to borrow a phrase from Clifford Geertz) in the intertwined contexts of an engagement with colonial legacies sparked by the Black Lives Matter Movement, legislated genocide in the Amazon and other flash-points across the globe, and the restrictions on knowledge production that characterise a neoliberal academy.

BEROSE will publish “Artist, Philosopher, Ethnologist and Activist: The Life and Work of Alfred Cort Haddon (1855-1940)” by Ciarán Walsh in August 2022.

‘Head-hunter’ project enters a new phase

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Posted by Ciaran Walsh on July 5, 2022 – 7:18 am
Filed under Research

Ciarán Walsh and Mark Maguire, Dean of Social Sciences at Maynooth University after a conferring ceremony in June 2020 .

Mark and I set out on a PhD in 2015, which we both agree was ‘an-archic’ mix of art, politics, and engaged anthropology that tested the limits of the academy. Mark kept it on track and we got got through a viva with the highest distinction in June 2020. Friday was a wrap on the academic side and that marks the start of an exciting new phase the “Head-Hunter” project.

The book has gone to Berghahn Books NY and Dearcán Media’s film ‘Iarsmaí’ is about to go into production for TG4/BBC. It features a campaign to have 24 stolen skulls returned by TCD to communities in the west of Ireland, one of three interwoven stories that relate the consequences of the Black Lives Matter Movement for colonial era institutions Ireland.

We go on!

Royal Anthropological Institute Research Seminar: Walsh & Dudding

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Posted by Ciaran Walsh on April 8, 2015 – 11:35 am
Filed under Anthropology, Heritage, Research

RAI Research Seminar: Walsh & Dudding, RAI RESEARCH SEMINAR  SEMINAR SERIES AT THE ROYAL ANTHROPOLOGICAL INSTITUTE  Haddon in Ireland, reconstructing the archive of the Irish Ethnographic Survey  Ciarán Walsh, Maynooth University Dr Joe Dudding, Arch and Anth Museum, Cambridge  Wednesday 8 April at 5.30 pm  This illustrated talk outlines a project to reconstruct the archive of the Irish Ethnographic Survey that was established by Haddon in 1891 under the umbrella of the British Ethnographic Survey. The Irish Survey was overshadowed by subsequent developments in Cambridge / Torres but, unlike the British Survey, it was active 'in the field' for almost a decade. The records of the Survey were dispersed over collections in Ireland and the UK where they have remained uncatalogued and largely overlooked for 120 years. Recent research has however, uncovered manuscripts, photographs and artifacts (the contents of Haddon's Anthropometric Laboratory in Dublin for instance) that have the capacity to change our understanding of the early development of Anthropology in Ireland and the UK. More work needs to be done and the role played by the RAI in particular in the establishment by Haddon of the Survey and the Laboratory in Dublin needs to be examined.  This event is free, but tickets must be booked. To book tickets please go to http://walshdudding.eventbrite.co.uk  Location : Royal Anthropological Institute, London

Jocelyne Dudding (Cambridge University Museum of Archaeology and Anthropology) and Ciarán Walsh (Curator.ie and Maynooth University) .

RAI RESEARCH SEMINAR

SEMINAR SERIES AT THE ROYAL ANTHROPOLOGICAL INSTITUTE

Haddon in Ireland:

reconstructing the archive of the Irish Ethnographic Survey

Ciarán Walsh, Curator.ie and Maynooth University
Dr Joe Dudding, Arch and Anth Museum, Cambridge

Wednesday 8 April at 5.30 pm

This illustrated talk outlines a project to reconstruct the archive of the Irish Ethnographic Survey that was established by Haddon in 1891 under the umbrella of the British Ethnographic Survey. The Irish Survey was overshadowed by subsequent developments in Cambridge / Torres but, unlike the British Survey, it was active ‘in the field’ for almost a decade. The records of the Survey were dispersed over collections in Ireland and the UK where they have remained uncatalogued and largely overlooked for 120 years. Recent research has however, uncovered manuscripts, photographs and artifacts (the contents of Haddon’s Anthropometric Laboratory in Dublin for instance) that have the capacity to change our understanding of the early development of Anthropology in Ireland and the UK. More work needs to be done and the role played by the RAI in particular in the establishment by Haddon of the Survey and the Laboratory in Dublin needs to be examined.

Information: http://walshdudding.eventbrite.co.uk

Location : Royal Anthropological Institute
50 Fitzroy Street
London
W1T 5BT
United Kingdom

Major feature on Anthropology by Ciarán Walsh in Irish Independent Newspaper

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Posted by Ciaran Walsh on January 4, 2014 – 1:14 pm
Filed under Anthropology, Journalism

 Солнечный водонагреватель своими руками

 

 

 

 

The ‘ Irish Headhunter’ exhibition organised by www.curator.ie got a remarkable response from anthropologists working in Ireland. The project was featured in the Irish Journal of Anthropology and the exhibition was shown in the National University of Ireland Maynooth (NUIM) which has the only Anthropology Department in the state.   This switched the focus from the 1890s to the present and, in this feature commissioned by the Irish independent Newspaper editor Katie Byrne, Ciarán Walsh explores the role of contemporary Irish anthropologists. It features extracts from interviews with Mark Maguire, Head of Anthropology in NUIM; Nicola Reynolds, President of the  Anthropology Society NUIM; Fiona Murphy, Dublin City University School of Business and, Patrick Slevin of Applied Research for Connected Health (ARCH). Each of the contributors outlines what they see as the main challenges facing Irish society in 2014 from an anthropological perspective.

 

See: http://irishindependent.newspaperdirect.com/epaper/viewer.aspx (Weekend Magazine)

 

 

 

www.curator.ie participating in RAI conference on anthropology and photography, London.

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Posted by Ciaran Walsh on December 11, 2013 – 4:01 pm
Filed under Criticism, Heritage, Photography

RAI Anthrop Photog

Босерон

www.curator.ie is participating in a conference on anthropology and photography being organised by the RAI (Royal Anthropological Institute) in the British Museum, London, on 29th- 31st May 2014.

Ciarán Walsh is a member of a panel being convened by Dr Jocelyne Dudding of the Museum of Archaeology and Anthropology in Cambridge University. The panel came together as a result of the ‘Headhunter’ project being shown in Cambridge University in September followed by the National University of Ireland Maynooth in October 2013. Dr. Mark H. Maguire, Dept. of Anthropology, NUI Maynooth and Dáithí de Mórdha of Ionad an Bhlascaoid Mhóir (The Great Blasket Centre) will also be taking part. Dáithí is co-curator of the ‘Headhunter’ project.

The panel will be examining the importance of photography in the Ethnographic Survey of Ireland of 1891-1903 in the context of social, cultural and political issues that framed anthropology in Ireland in the 1890s and, continue to influence it to this day.

Information: RAI (Royal Anthropological Institute)

‘Headhunter’ exhibition opens in National University of Ireland Maynooth

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Posted by Ciaran Walsh on October 15, 2013 – 8:18 pm
Filed under Exhibition, Heritage, Photography

 У камина

 

The Irish ‘Headhunter,’ the photograph albums of Charles R. Browne exhibition has opened in the Library of the National University of Ireland Maynooth. The exhibition has been organised by Anthropology Society President Nicola Reynolds in association with Head of Department Mark Maguire. There was a big turn out for the opening address by Steve Coleman, Lecturer at Maynooth.

The exhibition runs until 22 October.

More information:

http://anthropology.nuim.ie/node/205

 

 

 

 

The Headhunters are back in Aran, exhibition opens in Áras Éanna, Árann.

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Posted by Ciaran Walsh on July 5, 2012 – 10:20 am
Filed under Exhibition, Heritage

 

Gaeilge

Tá gadaí na gceann ar ais in Árann: osclaíonn ‘Fiagaí na gCeann Gaelach, Na Halbaim Grianghraif le Charles R. Browne’ in Áras Éanna, Inis Oírr, Árann.

 

 

English

The headhunters return: ‘The Irish Headhunter, The Photograph Albums of Charles R. Browne’ opens in Áras Éanna, Inis Oírr, Árann.

 

‘Anthropometry in Aran’ captures Browne and Haddon in action measuring he head of Tom Conneely on Inis Mór, Árann, in 1891. It is one of a small number of photographs of Aran that feature in ‘The Irish Headhunter, The Photograph Albums of Charles R. Browne,’ a project developed by www.curator.ie that opened in Áras Éanna, the arts centre on the island of Inis Oírr on Sunday 1 July, 20.

These are the first images of Aran that are known to exist and form part of a photographic survey of the communities of the western seaboard of Ireland between 1891 and 1900. It is the first time that these photographs have been published and it is probably the most important photographic archive to come into the public domain according to Ciarán Walsh who curated the show with Dáithí de Mórdha.

In 1891 Charles R. Browne and Alfred Cort Haddon (Haddon the Headhunter) arrived in Aran to carry out an ethnographical survey of the Aran Islands on behalf of the Anthropological Museum in Trinity College Dublin, one of a complex of initiatives based in the Department of Anatomy of  TCD that were involved in the investigation of the origin of the species in the aftermath of the acceptance by the scientific community of  the theory of evolution.

Browne and Haddon, Irish scientists funded by the Royal Irish Academy, had established the Anthropometric Laboratory  in TCD and, during the long vacation of 1891, they pitched their tent in Aran and began surveying the ‘natives’ in an attempt to record the typical Aranite. The idea that the population of the British Isles was composed of ‘types’ that could be differentiated through measurable racial characteristics was closely linked to ideas about the origin of the species and social Darwinism in particular – that societies evolve from a primitive to a civilised state. In crude terms, the primitives of Aran were less evolved than the white, Anglo Saxon Protestant as represented by the scientific establishment to which Browne and Haddon belonged. The fact that Aran had once been occupied by ‘Firbolgs’ – a mythical race of small dark, people – had no doubt influenced the decision to begin the survey of the remotest parts of Ireland (na Gaeltachta effectively) in Aran.

After Aran, Haddon returned to Cambridge and became very influential in the development of British anthropology -; earning the nickname ‘Haddon the Headhunter’ in the process. Browne continued with the ethnographic survey of the the western seaboard, carrying on with Haddon’s habit of collecting specimens, the skulls of dead islanders removed from graves and ruined churches in the islands. He became the Irish headhunter, a practice revealed for the first time in this exhibition.

In 1893, Browne and Haddon published the Ethnography of the Aran Islands in the Proceedings of the Royal Irish Academy, the first of  a series of six reports on the people and their lifetstyle, customs, folklore, archaeology and natural environment of the west coast of Ireland. Combined with the photographs in this exhibition, they form an unprecedented social history of the communities that were surveyed.

The opening of ‘The Irish Headhunter, The Photograph Albums of Charles R. Browne’ by Micheál de Mórdha revisits Browne and Haddon’s survey of the Aran Islands for the first time in 120 years.

 

 

Ciarán Walsh, www.curator.ie, launches the 'Irish Headhunter Project,' May 2012, the most important photographic archive to come into the public domain in Ireland in a long time. In association with Trinity College Dublin, The Blasket Centre, Ionad an Bhlascaoid Mhóir, Justin Carville, Ciarán Rooney and Séamas Mac Philib, The National Museum of Ireland - Country Life. Supported by the Office of Public Works and the Heritage Council.

 

National Media goes after the Headhunters: curatorie.ie exhibition is a hit.

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Posted by Ciaran Walsh on May 5, 2012 – 8:46 pm
Filed under Exhibition, Heritage, Journalism

Charles R. Browne, The Irish Headhunter: a project by www.curator.ie

with the support of:

Ciarán Walsh, www.curator.ie, launches the 'Irish Headhunter Project,' May 2012, the most important photographic archive to come into the public domain in Ireland in a long time. In association with Trinity College Dublin, The Blasket Centre, Ionad an Bhlascaoid Mhóir, Justin Carville, Ciarán Rooney and Séamas Mac Philib, The National Museum of Ireland - Country Life. Supported by the Office of Public Works and the Heritage Council.

 

 

RTE National Prime Time News, 05.05.2012

A report by Seán Mac an tSíthigh

 

HEADHUNTER RTE NEWS 5 May 2012 from Ciaran Walsh on Vimeo.

 

Irish Independent

The Headhunters

By Ciarán Walsh

Wednesday April 28 2012

 

Ciarán Walsh, www.curator.ie, launches the 'Irish Headhunter Project,' irish Independent , Weekend Magazine reveals the story behind the Irish Headhunter exhibition. t. In association with Trinity College Dublin, The Blasket Centre, Ionad an Bhlascaoid Mhóir, Justin Carville, Ciarán Rooney and Séamas Mac Philib, The National Museum of Ireland - Country Life. Supported by the Office of Public Works and the Heritage Council.

28.05.2012: Irish Independent Weekend Magazine, article by Ciarán Walsh, www.curator.ie, giving the background to the ‘Headhunter’ project. Read More:

 

The Irish Times

Headhunter exhibits get the measure of Irish anthropology in the late 1800s

DEIRDRE McQUILLAN

Fri, Apr 27, 2012

 

Ciarán Walsh, www.curator.ie, launches the 'Irish Headhunter Project,' The Irish Times mewspaper reports that the Irish Headhunter exhibition gets"The Measure of Anthropology in the 1800s. In association with Trinity College Dublin, The Blasket Centre, Ionad an Bhlascaoid Mhóir, Justin Carville, Ciarán Rooney and Séamas Mac Philib, The National Museum of Ireland - Country Life. Supported by the Office of Public Works and the Heritage Council.

 

PHOTOGRAPHS TAKEN in remote parts of the west of Ireland between 1891 and 1900, are to be displayed in public for the first time in The Irish Headhunter exhibition which opens on May 3rd in the Blasket Centre in Dunquin.

The pictures were taken by Dublin GP and anthropologist Charles R Browne, who was instrumental in developing anthropology in TCD’s anatomy department.

Dr Browne surveyed communities on the western seaboard in a series of studies, starting with the Aran Islands, using the so-called anthropometric methods of the time to measure and classify humans and “racial types”.

Sliding rules, steel tapes and “craniometers” were used to gauge the circumference of the heads of his often unwilling subjects: methods that seem repellent to modern sensibilities, as Jane Maxwell says in the catalogue.

“Alive or dead, the head of the Irish peasant was a source of intense interest to Browne and his associates,” writes curator Ciarán Walsh in his introduction.

“The taking of skulls recorded in the photographs and ethnographies makes the evidence of headhunting in the west of Ireland the most striking aspect of the albums.”

These images and eyewitness accounts, however, give a valuable snapshot of the lives of rural people: their houses, their dress and modes of transport. Most importantly, their names are recorded – very significant in small, tight-knit communities, although a portrait of Inishbofin schoolmaster Myles Joyce and his daughter neglects to give her name, a telling omission.

The first photographs of the people of the Great Blasket are included along with the rugged people self-described as the “kings” of North Iniskea, Inishark and Clare Islands.

Dáithí de Mórdha of the Dunquin Centre identified Tomás Ó Criomhthain, author of The Islandman, in one photograph.

Dr Browne, born in 1857 in Co Tipperary, the son of a school inspector, graduated from TCD in 1893. He began his studies in the west with professor of zoology AC Haddon of TCD and later had a surgery in Harcourt Street.

He died in Cornwall in 1931 and his daughter Gwendoline gave the photographic albums to Trinity in 1997, shortly before her death.

The exhibition will later travel to Inis Oírr, Eanach Mheáin, Castlebar, Cambridge University and Dublin.

© 2012 The Irish Times

 

Ciarán Walsh, www.curator.ie. The Headhunter project developed by curator.ie makes the headlines in the broadsheets. The Irish Independent, the best selling newspaper in Ireland gives the project the full news treatment with a a two page spread in its 09.05.2012 edition. " The Irish Headhunter project is an exhibition of photographs collected by Charles R. Browne between 1891 and 1900. They are held in the Research Collections and Manuscripts library in Trinity College Dublin.It is presented in association with Trinity College Dublin, The Blasket Centre, Ionad an Bhlascaoid Mhóir, Justin Carville, Ciarán Rooney and Séamas Mac Philib, The National Museum of Ireland - Country Life. Supported by the Office of Public Works and the Heritage Council.

 

Irish Independent

When the head hunters went way out west

By Majella O’Sullivan

Wednesday May 09 2012

 

HE is considered one of our most important writers, but in a picture taken nearly 120 years ago, it was the size of his head that captured the photographer’s attention.

Tomas O Criomhthain wrote ‘An tOileanach’ (‘The Islandman’), his autobiography about growing up in the Blasket Islands.

But he was also one of the subjects captured by Dr Charles R Browne for his study on the ethnicity of the people of the west coast of Ireland in the late 19th century.

At a time when race issues were in vogue, Dr Browne, who was attached to the Anatomy Department of Trinity College Dublin, was part of a study that was trying to search for an Africanoid Celtic race.

They set about measuring the heads and examining the physical features of the people of the west to establish where they were in the ‘Index of Nigrescence’.

This was designed to quantify how close people were to “being negro”.

Between 1891 and 1900 Dr Browne, who was from Co Tipperary but of Anglo Irish descent, travelled the west coast and the islands to study “isolated tribes”.

His study is illustrated by 62 photographs that are on display as part of ‘The Irish Headhunter’ exhibition in the Blasket Island Centre in Dun Chaoin, Co Kerry.

Exhibition

At the end of June the exhibition will move to the Aran Islands and Connemara, before it finishes up at the National Museum in Castlebar, Co Mayo.

“Browne wrote detailed ethnological reports of all these places, comparing the people of the islands to those living on the mainland,” said Daithi de Mordha, one of the curators of the exhibition.

“Unfortunately, we don’t have the report he did on the Blasket Islands and west Kerry but what we do have is a record of the west coast taken 120 years ago that is unparalleled.”

Dr Browne measured the heads of his subjects using an instrument called Flower’s Craniometer, often without their consent.

The photographs of Tomas O Criomhthain and two others show their front and side profile, almost like a modern-day police mug shot.

The photographs were taken on the Blasket Islands in 1897 when O Criomhthain was in his 40s.

Dr Browne also made detailed observations of the people.

Of the people of the Aran Islands he wrote: “The range and distinctiveness of the vision is astonishing . . . and we are told by Dr Kean that on a clear day, any of the men whose eyesight is average can, with a naked eye, make out a small sailing boat at Black Head, 20 miles away.”

Of the population of Mullet in Co Mayo he observes: “The people on the whole are good-looking, especially when young; many of the girls and young women are very handsome, but they appear to age rapidly and early become wrinkled.”

Other observations are less flattering like this one made on ‘dietetic diseases’ on Inishbofin: “There can be no doubt that the use, or abuse, of tea must bear a certain amount of the blame. The most common forms of complaint are flatulence and constipation.”

While in the 20th century we were obsessed with the north/south divide, these pictures show the east/west divide, Mr de Mordha added.

However, he also notes that while Dr Browne’s study may have begun as a cold, clinical scientific one, this changed over time.

“I think his opinion softened as he went along and he talks about them in more human terms,” the curator said.

 

 

Press coverage of the Irish Headhunters, Irish Examiner, 09.05.2012. Ciarán Walsh, www.curator.ie, Donal Hickey in the Irish Examiner describes how 'Rare Photos Capture Island Life in the !890s' . The Irish Independent, in a two page spread by Majella O'Sullivan describes what happened "When the Headhunters went Way Out West." The Irish Headhunter project is an exhibition of photographs collected by Charles R. Browne between 1891 and 1900. They are held in the Research Collections and Manuscripts library in Trinity College Dublin.It is presented in association with Trinity College Dublin, The Blasket Centre, Ionad an Bhlascaoid Mhóir, Justin Carville, Ciarán Rooney and Séamas Mac Philib, The National Museum of Ireland - Country Life. Supported by the Office of Public Works and the Heritage Council.

Irish Examiner

Rare photos capture island life in 1890s

By Donal Hickey

Wednesday, May 09, 2012

 

An exhibition of rare photographs is offering a glimpse of life on the Blasket Islands and other parts of the west coast in the late 19th century.

Just opened at the Blasket Centre in Dunquin (Dún Chaoin), Co Kerry, the exhibition has been described as one of the most important and interesting photographic collections to come into the public domain for some time.

The photographs are drawn from the albums of Charles R Browne, a medical doctor and anthropologist from Dublin who surveyed communities in the remotest parts of the west between 1891 and 1900.

The photographs were filed in a series of albums, six of which survive, in the library of Trinity College Dublin. A selection is now being exhibited for the first time, with the permission of the TCD board.

Dr Browne began systematically recording skull measurements as a means of racial classification of island communities and their mainland neighbours in Kerry, the Aran Islands, Connemara, and Mayo.

Between 1891 and 1893, he worked with Alfred Cort Haddon on the Ethnography of the Aran Islands for the Royal Irish Academy.

According to the exhibition’s co-curator Ciaran Walsh, the Browne archive is an unequalled illustration of life in the west of Ireland in the 1890s, including some of the earliest known photos of these communities, their physical appearance, and styles of dress.

“The difference between these and other photographs of the same time lies in the systematic way Browne recorded his subjects,” Mr Walsh said.

Among the people photographed were Myles Joyce, the schoolmaster on Inishbofin, with his daughter, whose name is not recorded; Seán ‘An Common Noun’ Ó Dálaigh and all the schoolchildren of the old schoolhouse at Dún Chaoin; and the first photographs of the people of An Blascaod Mór (Great Blasket).

“The naming of subjects is one of the most striking features of Browne’s albums. Many people have not been named, but it is probable that many people will identify their great, great-grandparents during the run of this exhibition,” Mr Walsh said.

The exhibition will run for six weeks in the Blasket Centre before going on to venues in Galway and Mayo.

 

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Blogging resumes on Ballymaclinton: An Irish giant, 24 stolen skulls, one colonial legacies project and a slave owner named Berkeley.



Is the TCD statement on the stolen skulls of Inishbofin a missed opportunity?



Inishbofin Islanders demand repatriation of remains held in TCD



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