\'Táimse Im\' Chodladh,\' a short film produced by Ciarán Walsh nominated for TG4 Irish language award at the Fingal Film Festival

Tag Archives: Dingle

‘Táimse Im’ Chodladh,’ a short film produced by Ciarán Walsh nominated for TG4 Irish language award at the Fingal Film Festival

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Posted by Ciaran Walsh on September 25, 2014 – 12:22 pm

Filed under art, Film

Taimse Im Chodladh Vimeo(2) from Ciarán Walsh / www.curator.ie on Vimeo.

‘Taimse Im’ Chodladh’ or ‘I am Sleeping’ (2014) was Directed by London based Kerryman and artist Denis Buckley and produced by me for www.curator.ie. It has been nominated for the TG4 Irish language award at the Fingal Film Festival

I am very proud of ‘Táimse im’ Chodladh.’ Emigration is etched into heart and soul of West Kerry, it’s social fabric, landscape and its language. ‘Táimse Im’ Chodladh’ is a synthesis of all of that, realised by Denis Buckley, an artist who has experienced emigration for over thirty years. It was made in Kerry, using local talent and resources to achieve a perfectly compact vision or ‘fís.’

From the outset it was an article of faith that this film be made trí mheán na Gaelinne. The script was translated into Gaelainn or West Kerry Irish by Bríd Criomhthain and Bosco Ó Conchúir and recorded as a soundtrack in the Beehive Theatre, Dingle. Bríd Criomhthain, Naoise Mac Gearailt, Jeaicí Mac Gearailt and Nuala Nic Gearailt performed the parts.

More Information: https://www.curator.ie/?p=3259

Definitive exhibition of Blasket Island photography opens in St. John’s Theatre, Listowel.

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Posted by Ciaran Walsh on August 9, 2014 – 5:20 pm

Filed under Exhibition, Heritage, Photography

A photograph of the Great Blasket Island in the 1930s taken by Thomas H. Mason of Dublin. L-R: Domhnall Mharas Eoghan Bháin Ó Conchuir and Pádraig ‘Ceaist’ Ó Catháin.

The definitive exhibition of photographs of life on the Blasket islands opens in St. John’s Theatre in Listowel on Saturday 9 August 2014.

‘An Island Portrait’ has been developed by The Great Blasket Centre and www.curator.ie to accompany the publication by Collins Press of a book of photographs of the Blasket Island. The text was written by Micheál de Mórdha (Director) and Dáithí de Mórdha (Archivist) and the photographs were edited by Ciarán Walsh of ww.curator.ie. The exhibition contains 50 photographs dating from 1892 onwards and it combines classic ‘outsider’ views of the islanders and their way of life with photographs from family albums. The ethnographic look is counterbalanced by personal and, at times, intimate glimpses of family life on the island.

Gearóid Cheaist Ó Catháin, the last child to live on the Great Blasket Island with Dáithí de Mórdha, The Great Blasket Centre, in front of a photograph of Gearóid with his Grandfather Maurice Mhuiris Ó Catháin, taken by Dan MacMonagle after the Island was evacuated in 1953. The exhibition was curated by Ciarán Walsh of Curator.ie.

TV series on photography in Ireland developed by www.curator.ie & Sibéal Teo for TG4

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Posted by Ciaran Walsh on July 3, 2014 – 3:35 pm

Filed under Comment, Film, Heritage, Journalism, Photography

Uploaded by www.curator.ie: a reproduction of a photograph of an impoverish family huddled in cabin in Connemara in 1898. It is entitled "A starving Irish family from Carraroe, County Galway." (http://xroads.virginia.edu/~hyper/sadlier/irish/starvati.htm) from an orig. It was traced to a pamphlet published by the Mansion House committee in 1898.

A starving Irish family from Carraroe, County Galway during the Famine . (Source: University of Virginia)

About 10 years go I came across this photograph. The caption suggests that it was taken during the Famine of 1845-9 in Ireland. It wasn’t. True, it is very similar to the scenes recorded in cabins throughout the west of Ireland and graphic illustrations of such scenes were published in illustrated newspapers at the time. There is no record, however, of any photograph of people dying of starvation in the 1845-9 famine. Indeed a photograph like this would have been impossible in the early stages of photography – invented less than a decade before the famine. As a result he photograph has been dismissed by some people as a fake, the harsh pool of light suggesting a studio staging.

I set out to look for the original and test its authenticity. I never found it, but I found the next best thing – the original document in which the photograph was first published. The photograph is entitled ‘A Sick Family Carraroe’ and is one of 18 photographs that were published in a pamphlet entitled ‘Relief of Distress in the West and South of Ireland, 1898.’ The photographs were taken in April during an inspection of conditions in Connemara by Thomas L. Esmonde, Inspector of the Manchester Committee. He was reacting to reports of famine in Connemara, what locals call the Second Famine or Gorta Beag. He inspected a dozen houses in which he found people lying on the floor, covered with rags and old sacks and barely able to move from a combination of influenza and hunger.

The search for the photograph became the basis of an idea for a TV series on social documentary photography or, to put it another way, a social history of documentary photography in Ireland in the 19th century. I pitched the idea to a producer and a broadcaster in 2011 and funding was eventually secured from the Broadcasting Authority of Ireland in 2014 for a six part series based on my research. TG4 will begin broadcasting Trid an Lionsa or ‘Through the Lens’ tomorrow Sunday 25 October 2015.

I haven’t been involved in in the production itself, just the research into historical social documentary photography and the people who work in this area. This material has been “translated into television” by Cathal Watters (Oíche na Gaoithe Móire) and follows the TG4 controversial format of presenter driven, on-the-road info-tainment. (Lost in Translation).

I have no idea what to expect. Like a colleague I will be watching from behind the couch … hoping! It’ll be interesting to see how the balance between a social history of documentary photography and ‘factual’ entertainment works out. The reliance on off-the-cuff interviews rather than scripted narrative is a risky business in general Read Full Article. It suits some formats but I don’t know about a documentary on 19th century photography, with it’s intricate social, political and historical contexts and plots. I know some key “voices” were excluded but that is the unenviable task of a producer. Dropping a key commentator on the history of photography because, apparently, there were already enough English speakers is a bit odd though. Either way it promises be an intriguing televisual event and, at the very least, it should create an awareness of the rich resource that exists in photographic archives and collections around the country.

For more images / Comment see: Ballymaclinton, The Town that Time Forgot

Ciarán Walsh rewrites the history of anthropology at a conference organised by the Royal Anthropological Institute in the British Museum

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Posted by Ciaran Walsh on July 2, 2014 – 4:40 pm

Filed under Anthropology, Heritage, Photography, Research

Jocelyne Dudding, Museum of Archaeology and Anthropology, Cambridge and Ciarán Walsh of www.curator.ie in the foyer of the British Museum in London.

It’s a big claim, but papers presented by Jocelyne Dudding and Ciarán Walsh at the Anthropology and Photography conference in the British Museum (May 2014) have challenged the chronology of the early development of British anthropology and Haddon’s role in it.

Dudding and Walsh have been working on the ‘Haddon In Ireland’ project for the past 6 months, focussing on photographic and manuscript collections that are held in Cambridge – in the Museum of Archaeology and Anthropology (MAA), the Haddon Library and the University Library.

They presented preliminary finding of their research at a conference organised by the Royal Anthropological Institute and the British Museum. The research, part funded by the Heritage Council of Ireland, is part of a project that is attempting to reconstruct the archive of the Irish Ethnographic Survey of 1891-1903.

The photographic record of the the Survey, the photograph albums of Charles R. Browne, were published by www.curator.ie in 2012 as part of the the ‘Irish Headhunter’ project. The albums are held in TCD but there was no trace of any paperwork that could place them in context. The search moved to Cambridge and significant work has been done in the photographic collections of the MAA and the Haddon Papers in the Haddon and University Libraries there.

Preliminary findings suggest that the Survey, established by Haddon and Cunningham in TCD in 1891, played a much greater role in Haddon’s transition from Zoology to Anthropology than had previously been thought. The photographic record, correspondence and journal entries reveal a lot about Haddon’s role in the survey with significant implications for the history of the early development of anthropology.

These are being teased as the ‘Haddon in Ireland’ project continues with the re-construction of the archive of the Irish Ethnographic Survey.

‘Ár Ré-na’ Opens in Pobalscoil Chorca Dhuibhne, Dingle.

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Posted by Ciaran Walsh on July 2, 2014 – 3:39 pm

Filed under art, Education, Exhibition

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Ár Ré-Na (Our Times) is an exhibition of paintings by students of Pobalscoil Chorca Dhuibhne in Dingle, County Kerry, Ireland. The students are studying art as part of their senior cycle programme (5th Year) and the exhibition consists of a series of self portraits developed through a photographic project and realised in a wide range of media. Each portrait is an intensely personal expression of how they ‘see’ themselves but, collectively, they provide us with fascinating insight into the world of a group a group of 16 year old student artists living in the west of Ireland. The exhibition was opened at the end of May by Seán Mac an tSíthigh, filmmaker and journalist with RTE and TG4. It is on view during school hours.

The Best Exhibition in Kerry: curator.ie working with Brenda Ní Frighil and the students of Pobalscoil Chorca Dhuibhne in Dingle

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Posted by Ciaran Walsh on May 21, 2014 – 10:51 am

Filed under Artists, Education, Exhibition

Fifth year students of Pobalscoil Chorca Dhuibhne, Dingle, Co. Kerry with the self-portraits that will feature in the Ár Ré-na’ exhibition in May 2014

Ár Ré-Na
Taispeantas Scoláirí Ealaine, Pobalscoil Chorca Dhuibhne,
An Daingean
Á oscailt ag Seán Mac an tSíthigh 21.05.2014

Téacs / Text__________________________________________________________________

An dteastaigh uait riamh tumadh isteach in inchinn an déagóra?

Bhuel, seo é do sheans.
Beidh saothar scoláirí ealaíne na 5ú bliana ar taispeáint don phobal ar a 6 a chlog ar an gCéadaoin an 21 Bealtaine le tacaíocht ó Creative Engagement. Tabharfaidh an ealaín a bheidh ar taispeáint léargas ar phearsantachtaí, ar fhéiniúlachtaí agus ar shaol inmheánach na n-ealaíontóirí óga.
Osclóidh Seán Mac an tSíthigh an taispeántas. Is scannánóir áitiúil agus iriseoir le RTÉ agus TG4 é Seán. Is cinnte go mbeidh tráthnóna suimiúil ann a thabharfaidh spléachadh dúinn ar shaol cruthaitheach an déagóra.

Have you ever wondered about the inner workings of a teenage mind?

This is your chance to find out.
Fifth year art students of Pobalscoil Chorca Dhuibhne are hosting an art exhibition of their work in the school ‘Dánlann’ exhibition space, opening on Wednesday the 21st of May at 6pm. The work exhibited is an expression of the personalities, identities and inner world of student artists. The exhibition will be officially opened by Seán Mac an tSíthigh, local filmmaker and journalist with RTE and TG4. It is sure to provide a rare glimpse into the creative world of the teenage mind.
Bígí linn. Fáilte roimh cách.

_________________________________________________________________________________

A thuilleadh eolais le fáil ag / For more information please contact:
Brenda Ní Fríghil, Pobalscoil Chorca Dhuibhne
fón: 066 9150055;
ríomhphost: pcd07@eircom.net
nó neasa09@pcd07.ie

‘Haddon In Ireland’ project commences in Cambridge

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Posted by Ciaran Walsh on May 5, 2014 – 8:07 am

Filed under Anthropology, Exhibition, Heritage, Photography, Research

polvam.ru

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www.curator.ie has commenced work on a project that promises to significantly rewrite the history of the early development of anthropology. Supported by a grant from the Heritage Council of Ireland, the initial phase of the ‘Haddon In Ireland’ project comprises of an assessment of unpublished photographs and manuscripts held in the Haddon Library and the Museum of Archaeology and Anthropology (MAA) in Cambridge, in partnership with Aidan Baker, Librarian at Haddon, and Jocelyne Dudding, Manager of Photographic Collections at the MAA.

Aidan Baker, Margaret Rishbeth (granddaughter of Alfred Cort Haddon) and Ciarán Walsh at the launch of the ‘Irish Headhunter’ exhibition in the Haddon Library in 2013.

Ciarán Walsh completes Dioplóma Sa Ghaeilge run by NUIG and Oidhreacht Chorca Dhuibhne

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Posted by Ciaran Walsh on May 5, 2014 – 7:33 am

Filed under Heritage, Research

Ciarán Walsh has just completed a two year diploma in Irish – Dioplóma sa Ghaeilge. The course was provided by NUIG (National University of Ireland Galway) in partnership with Oidhreacht Chorca Dhuibhne, the Irish language / heritage organisation based in the the Ballyferriter Gaeltacht (an area where Irish is the first language) west of Dingle. www.curator.ie is active in a number of Gaeltachts and Irish language projects and the Dioplóma represents a significant improvement in the capacity to work in Irish.berryjam.ru dekor-okno.ru

The classes were held in the Foras Teanga in Dingle and the course was delivered by Máire Ní Scannláin and Caitríona Ní Chathail. Results expected in June.

‘Táimse Im’ Chodladh,’ a short film directed by Denis Buckley and produced by Ciarán Walsh is premiered in Dingle.

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Posted by Ciaran Walsh on March 21, 2014 – 2:29 pm

Filed under art, Artists, Film

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‘Taimse Im’ Chodladh’ or ‘I am Sleeping’ was the winning entry in FÍSÍN 2013, a short film competition. It was directed by Denis Buckley and produced by Ciarán Walsh of www.curator.ie. Colm Hogan was Director of Photography, John ‘Bob’ Brennan was on Sound and Marcus Lamb played ‘Tomás,’ the only character in the film. It was recorded in the Beehive Theatre in Dingle and a disused factory in Killarney, production lasting just over a week and ending in a one day shoot.

The title is taken from an aisling of the same name. An aisling is a traditional song in which Ireland, in the form of a beautiful woman, appears in a dream or a vision. The aisling is usually loaded with symbolism and/or political comment on the state of the nation. Buckley adapted the idea of the aisling to comment on the experience of emigration, or, economic exile in a contemporary context. The traditional song is replaced by a short film and a radio-play (encountered by chance) replaces the dream as the vehicle for the vision and the political comment that is inherent in it.

Buckley wrote the script which was reduced from 17 minutes to around 7 minutes running time, and re-structured into to a filmscript consisting of a single shot – one continuous tracking shot. It was pitched to a panel consisting of Brenda Ní Shuileabháin, Nuala O’Connor, Marina Ní Dhubháin and Bob Ó Cáthail.

The pitch succeeded and Buckley and Walsh immediately went into production. The script was translated into Gaelainn or West Kerry Irish by Bríd Criomhthain and Bosco Ó Conchúir and recorded as a soundtrack in the Beehive Theatre, Dingle. Bríd Criomhthain, Naoise Mac Gearailt, Jeaicí Mac Gearailt and Nuala Nic Gearailt performed the parts. A set was constructed in the old ‘Pretty Polly’ factory in Killarney, a terrific resource made available by Noel O’Leary, Town Clerk of Killarney Urban District Council. ‘Táimse Im’ Chodladh’ was filmed on 24 August, 2013, wrapping after 10 hours and five takes.

The filmed premiered in Dingle on Monday 17 March 2013, a fitting date for a film that deals with cultural identity in the context of emigration and the profound resonance of economic exile in contemporary Ireland.

FÍSÍN is organised as part of the Dingle International Film Festival. It involves pitching an idea for a short film in competition for a cash prize of €5,0000 with an additional €2,000 worth of filming equipment supplied by Vast Valley. The winning film has to be completed in time for showing in the festival in the following year.

The idea of the competition is to promote Irish language film making, an idea developed by Ciaran Walsh when he was involved, briefly, in a strategic re-think of the festival in 2010/11. Walsh had managed a visual arts programme in The National Folk Theatre that ran in conjunction with the Festival for a number of years. Maurice Galway, Director of Dingle Film Festival, was employed as the curator of a series of exhibitions that complemented the aims and objectives of both The National Folk Theatre and the film festival.

The idea of ‘FÍSÍN’ developed in this context. The aim was to address the need to promote new work by Irish language or Gaeltacht film makers outside of opportunities created by the Irish language television station TG4. Tor Cotton came on board with sponsorship and ‘FÍSÍN’ (fís meaning vision and the suffix -ín denoting little) was formally launched.

An Daingean (Dingle) is the main town in the West Kerry Gaeltacht, an area in which Irish or ‘Gaelic’ is the primary language. ‘FÍSÍN’ was developed to promote the making of new short films in the Irish Language as part of a wider objective of building a greater Irish language component within the festival, acknowledging that one of its principal funders, Údarás na Gaeltachta (the Gaeltacht Authority) was a primary funder of the festival due to its location in the West Kerry Gaeltacht.

Walsh assesses ‘Táimse Im’Chodladh’ as follows: “My involvement with Dingle Film Festival ended shortly afterwards and, although I had some qualms about pitching in a competition I had devised, Denis overrode these and persuaded me to get involved. I am very proud of ‘Táimse im’ Chodladh.’ Emigration is etched into heart and soul of West Kerry, it’s social fabric, landscape and its language. ‘Táimse im’ Chodladh’ is a synthesis of all of that, realised by an artist who has experienced emigration for over thirty years. It was made in Kerry, using local talent and resources to achieve a perfectly compact vision or ‘fís.”

‘Is oth linn an briseadh seo.’ We regret the interruption in web-posting due to storm damage

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Posted by Ciaran Walsh on March 21, 2014 – 2:01 pm

Filed under Anthropology, Comment, Film, Heritage, Photography, Research

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Primarily, the period February / March has been taken up with two projects.

The first involves completing the second and final year of the Dioplóma sa Ghaeilge (Dioploma in Irish) with NUI Galway in partnership with Oidhdreacht Chorca Dhuibhne – final exams scheduled for 5 April. Dar fia!

The second involves development work on the ‘Haddon in Ireland’ project with the Museum of Archaeology and Anthropology, Cambridge and NUI Maynooth. This includes a paper to be given at the RAI’s conference in the British Museum in May/June.

Tag Archives: Dingle