DECOLONISING PUBLIC SPACES IN IRELAND: A PRACTICAL CONTRIBUTION

Tag Archives: Haddon

DECOLONISING PUBLIC SPACES IN IRELAND: A PRACTICAL CONTRIBUTION

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Posted by Ciaran Walsh on April 15, 2021 – 1:21 pm

Filed under Anthropology | Curatorial Projects

Ciarán Walsh’s latest post on RTÉ Brainstorm (14|04|2021) summarises a long campaign to repatriate 24 skulls stolen in 1890 from burial grounds in the west of Ireland by agents of the Anthropological Laboratory in Trinity College, Dublin.

Read: The case of the missing skulls from Inishbofin

The colonial legacies of universities and museums have become an issue, especially culturally sensitive material like human remains in anthropological collections that were tainted by colonial violence and scientific racism.

www.rte.ie

Maynoothy University awards Ciarán Walsh a Doctor of Philosophy (Arts) Degree.

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Posted by Ciaran Walsh on September 15, 2020 – 4:04 pm

Filed under Curatorial Projects

Ciarán Walsh and Nuala Finn “attend” an online awards ceremony during which Maynooth University conferred Walsh with a Doctor of Philosophy (Arts) degree.

Dr Mark Maguire, Dean of Social Sciences at Maynooth University, announcing the award in a video posted on YOUTUBE.

Walsh’s research, funded by the Irish Research Council, uses the scientific study of race in an historical context to create a scientifically robust platform to challenge racism in a contemporary context, creating an interface between academic anthropology and civil society activism by employing a range of public engagement strategies.

It has been widely recognised as an original contribution to the history of anthropology, challenging a long-held consensus that anthropology, as practiced in in Ireland in the 1890s, was a uniformly evolutionist and colonial enterprise. Walsh argues that Haddon was influenced by anarchists and ant-imperialists and developed photography as an instrument of anti-colonial activism, which functions as an analogue of contemporary anti-racism campaigns.

A detail of Haddon’s photograph of Gododo, taken in the Torres Strait in 1888, juxtaposed with a screen grab form Celia Xakriabia’s video calling for an end to “legislated” genocide in the Amazon.

Haddon was primarily a photographer who used the study of folk-lore, art and dance – which he defined in 1895 as the study of the “deepest and most subtle ideas of mankind” – to humanise and socialise anthropology, which was restricted to the anatomical study of the natural history of the human species within the academy.

Haddon operated on an extramural basis, jumping the academic wall and working through a network of folklore and naturalist organisations, becoming an important resource for cultural nationalists in Ireland. This brought him into conflict with the academy, a confrontation that prefigures current debates about the relationship between academic anthropology and anthropologists who operate civic society and humanitarian contexts.

Professor David Prendergast, Dr Ciarán Walsh, and Mark Maguire.

To conclude, Walsh’s study of The Skull Measuring Business represents an original and formally innovative study of the issue of racism in the 1890s, which, 130 years on, has become a defining issue in contemporary Ireland. It also represents a novel contribution to debates about the practice and purpose of anthropology, a debate that is as old as anthropology itself and remains as ‘lively’ as it was during Haddon’s time in Ireland.

Ciarán Walsh joins RTÉ Brainstorm as a contributor

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Posted by Ciaran Walsh on August 28, 2020 – 3:35 pm

Filed under Comment, History of Anthropology, Journalism

Ciarán Walsh has published his first article on Brainstorm, an online platform for researchers and academic that is manage by RTÉ.

The article asks if readers have ever thought about the political significance of the shape of their heads and goes on to make a connection between Victorian anthropology in Ireland and facial recognition systems in use today, killing a couple of sacred cows along the way.

For More:

https://www.rte.ie/brainstorm/2020/0811/1158475-skull-measuring-head-hunter-alfred-haddon-history-ireland/

5 years, 68 days, 6 hours, 31 minutes, & some seconds …

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Posted by Ciaran Walsh on June 12, 2020 – 10:45 am

Filed under Curatorial Projects

I walked into the Anthropology Dept in Maynooth University at 9am on February 2, 2015 to begin a PhD and at 4.31pm yesterday afternoon Mark, the postman, delivered a letter confirming that I had been awarded the Doctoral Degree by the Academic Council of the University.

Many thanks to my wife and partner-in-PhD Nuala Finn.

To Dáithí De Mórdha who started the ball rolling in 2010, Aidan Baker and John D. Pickles who opened the archives in Cambridge to me in 2013, and the team in Maynooth who kept this project on the road and moving forward: Mark Maguire, Andrea Valova, Hana Červinková, David Prendergast, Denise Erdman, Jacqui Mullaly, and Conor Wilkinson. Thanks also to my partners in this project: Siobhán Ward and Martina Hennessy, the guardians of the skull-measuring lab in TCD, and my enterprise mentor and academic guide Rob Kevlihan.

There are many more people who made this PhD happen and a full set of acknowledgements can be read here.

Becoming an Anthropologist

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Posted by Ciaran Walsh on January 21, 2020 – 1:37 pm

Filed under Anthropology | Curatorial Projects

Last Friday, I became an anthropologist after I successfully defended my PhD thesis at Maynooth University (MU), where I made a short presentation about my research on the skull measuring business in Ireland and answered questions from a panel of experts who were appointed to assess the quality of my research and the arguments presented in my thesis.

Dr David Shankland, Director of the Royal Anthropological Institute in London, agreed to act as external examiner when I submitted my thesis in October 2019. He described it as an excellent piece of research, which, if grades were given for a PhD, would have achieved the grade of summa cum laude, with the highest distinction.

Prof Hana Červinková, Head of the Dept of Anthropology at MU, agreed to act as an internal examiner. She led an interesting discussion of the relationship between my work as a visual arts curator and an anthropologist, which revealed the extent to which a brief exposure to anthropology in art college in the 1980s had a profound influence on my work as a curator ever since. It was at that point in the discussion that I realised that I had become an anthropologist.

Dr. Thomas Flavin agreed to chair the examination and Dr Mark Maguire and Prof David Prendergast, my supervisors, attended as observers, as is the practice on these occasions. Prof Martina Hennessy represented TCD School of Medicine, which is a research partner in this project.

L-R: Chair **Dr. Thomas Flavin** (Associate Professor, Economics, Finance and Accounting, MU), Supervisor **Prof David Prendergast** (Dept of Anthropology MU), external examiner **Dr David Shankland** (Director, Royal Anthropological Institute, London), internal examiner Prof Hana Červinková (Head of Dept of Anthropology, MU), **Ciarán Walsh**, IRC Scholar, and supervisor **Dr Mark Maguire** (Dean of the Faculty of Social Sciences, MU).

The panel decided that I should be awarded a Doctorate degree without further examination, subject to making the changes specified to the satisfaction of my internal examiner, a process that should take a couple of weeks. Then I submit hardbound copies of my thesis and I become a Doctor of Philosophy (Anthropology) at a conferring ceremony in Maynooth University in September 2020.

Acknowledgements

My thesis represents the culmination of groundbreaking and critically acclaimed work on John Millington’s Synge’s ethnographic photography, which was developed in the “Irish Headhunter” project with co-curator Dáithí De Mórdha. This led into this study of the skull measuring business and the associated development by Alfred Cort Haddon of an early form of modern visual ethnography in the west of Ireland in the 1890s. This project was truly collaborative and would not have been possible without the support of many people in Dublin, Cambridge, London, and, of course, Ballyheigue.

There isn’t enough space to acknowledge individual contributions here, but I do want to acknowledge the support – financial and otherwise – of the Irish Research Council and Shanahan Research Group over a period of almost 5 years. With regard to the academic programme, I acknowledge the generosity of everyone in Cambridge University Library, Cambridge University Museum of Archaeology and Anthropology, the Haddon Library, Trinity College Dublin, and the support, hard work, patience, and perseverance of everyone in the Anthropology Department at Maynooth University.

Thank You | Míle Buíochas

Brexit and Folklore ?

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Posted by Ciaran Walsh on April 7, 2019 – 8:23 am

Filed under Curatorial Projects

*Prof David Hopkin at the* ***Folklore and the Nation*** *conference organised by the Folklore Society in Derby on the weekend that the UK was due to leave the EU. Photo: Ciarán Walsh.*

What has folklore got to do with Brexit? That was one of the themes explored at the recent Folklore and the Nation conference in Derby, which opened on the day that the UK was due to leave the EU. The conference was convened with one eye on Brexit and the other on wider nationalist movements. It asked ‘how, why and when folklore has been deployed in the context of national ideologies and ideas of nationhood.’

I made a twenty minute presentation entitled “Leaving the Union: Haddon, Home Rule and the Anti-Imperial Agenda in Anglo-Irish Folklore.” It represented, as Haddon would said, the ‘first fruits” of a six year investigation of “the skull Measuring business” in Ireland in the 1890s.

Charles R. Browne and Alfred Cort Haddon measuring Tom Connelly during field work undertaken by the Dublin Anthropometry Laboratory in the Aran islands in 1892. Courtesy of the Board of Trinity College Dublin.

My research was funded by the Irish Research Council in partnership with Shanahan research Group, Maynooth University, and the School of Medicine TCD. It represents a major re-assessment of Haddon’s contribution to anthropology, focussing on the politically radical and formally revolutionary fieldwork undertaken by him in Ireland between 1890 and 1895.

“Leaving the Union”explored the role that folklore played in the political and cultural arguments that were generated by home rule; the campaign to take Ireland out of political and economic union with Great Britain, which dominated Anglo-Irish relations in the the 1880s and 1890s.

*The White Horse in Derby 29, March 2019. Photo: Ciarán Walsh*

There are some obvious parallels with Brexit. The Customs Union and a backstop for the Protestant minority [1] in Ireland featured in the first Government of Ireland or Home Rule Bill of 1886. The bill was defeated by the Conservatives supported by Unionists.

The differences are far more significant.

Ireland was a colony and the intertwined campaigns for home rule and land reform were confronted with “coercion” legislation[2] and the mobilisation of imperial forces. Cultural forces were also mobilised in a debate about the compatibility of the Celt and the Anglo-Saxon in relation to nationality and governance.

*Victoria Square, Birmingham. Photo: Ciarán Walsh*

Folklore collectors – the practical wing of domestic ethnology – provided evidence of a pre-conquest nation that survived in the edgelands of Empire in Ireland. This is generally treated as a resource for cultural nationalism and I was not arguing with that.

What I proposed was that there was a far more radical, anti-Imperial movement in Anglo-Irish folklore and that it was led by Haddon, the head-hunter. I presented evidence that Haddon was influenced by stateless anarchists and other radicals and that this influence shaped his approach to fieldwork in Ireland.

This turns the history of anthropology in Ireland and England on its head.

A FULL TRANSCRIPT OF THE PRESENTATION IS AVAILABLE HERE

NOTES

[1] The backstop consisted of a ban ‘on the establishment or endowment of any religious denomination’ (Shepard 1912: 565).

[2] Criminal Law and Procedure (Ireland) Act 1887 was introduced by Arthur “Bloody” Balfour, the political leader of the British Administration in Ireland.

This research was funded by the Irish Research Council in partnership with Shanahan research Group, Maynooth University, and the School of Medicine TCD

Anarchy and Ethnology at the Irish Conference of Folklore and Ethnology 2018

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Posted by Ciaran Walsh on November 14, 2018 – 9:12 am

Filed under Conference Paper, History of Anthropology, Photography, Research, Science Week

The Go Between:

Alfred Cort Haddon and a forgotten engagement between Irish Folklore and Anarchist Ethnology.

Ciarán Walsh, Maynooth University in partnership with the Irish Research Council, TCD School of Medicine, and Shanahan Research Centre.

Irish Conference of Folklore and Ethnology | November 17, 2018 | Belfast

This is a short clip – in GIF format– of a minute or so of footage that was shot in the Torres Strait in 1898, three years after the invention of the cine camera. Liz McNiven, writing for the National Film and Sound Archive of Australia’s (NFSA) Australian Screen website, attributes it to Alfred Cort Haddon and explains that it is a performance the Malu-Bomai ceremony that was performed by men in the eastern Torres Straits.

This is a photograph taken by Clara Patterson. It shows a group of schoolchildren playing “Poor Mary” in the townland of Ballymiscaw in County Down. The photograph is one of a series that was shown at a meeting of the Belfast Naturalists’ Field Club in November 1893. J. R. R. Adams identified the game as “Poor Mary” in The Linen Hall Review [Vol. 10, No. 3 (Winter, 1993)] and described a variation of it in Ulster Folklife [Vol 37, 1991].

What is the connection between these images?

If I was to say Pyotr Kropotkin, the Russian geographer and anarchist, it might seem a bit farfetched. However, there is hard evidence to support a claim that anarchist ideas influenced Clara Patterson’s contribution to the first meetings of organised folklore collection in Ulster. That begs another question. How likely is it that Clara Patterson had met Kropotkin?

Pyotr Kropotkin (1841-1921), the anarchist prince and Russian exile in London.

Unlikely, but the influence of Kropotkin can be explained by looking at another connection, that between Haddon and Patterson. The footage of the Torres Strait islanders establishes Haddon as a pioneer of visual ethnography and illustrates his relentless advocacy of photography as a superior form of ethnographic representation. Clara Patterson’s photograph of “Poor Mary” anticipates Haddon’s film of the Malu-Bomai ceremony by 5 years.

This is not accidental. Clara Patterson studied zoology and learned fieldcraft under Haddon in Belfast in 1892. She would have been aware of the photographs he had taken in the Torres Strait in 1888 and 1889 and similar photographs of folklife that were taken in the Aran Islands one year later.

Haddon had read Kropotkin in 1890 and adopted Kropotkin’s proposition that the study of social organisation and customary practice proceeds from the simple to the complex. Patterson repeated the proposition in her presentation to the field club in 1893. Haddon, clearly, acted as go-between for Patterson and Kropotkin and, as such, between anarchist geography and folklore collection in Ulster.

That is the main claim of a paper I will be presenting at the Irish Conference of Folklore and Ethnology in Belfast on November 17, 2018. The paper takes as its starting point an entry in Haddon’s “little black book,” a notebook containing the names and addresses of his network of contacts in the 1890s.

Measuring heads in the Aran Islands, Charles R. Browne and Alfred Cort Haddon in action in September, 1892. Photo: Courtesy of the Board of Trinity College Dublin.

Douglas Hyde was listed and the question has to be asked: Why would the person who gave a speech “On the Need for the de-Anglicisation of the Irish Nation” in 1892 be listed among the contacts of an “Anglo-Saxon” who measured the skulls of “Celts” in the Aran Islands, also in 1892? The next question, then, is what has this got to do with Clara Patterson?

That question will be addressed in Belfast, 125 years after Patterson’s long forgotten act of solidarity with the Islanders of the Torres Strait.

“Old” Anatomy goes live for Science Week 2018

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Posted by Ciaran Walsh on November 13, 2018 – 11:14 am

Filed under Anthropology, Comment, Education, Research, Science Week

Going Wilde in “Old” Anatomy. William Wilde’s collection of skulls goes on display in TCD as a backdrop for the filming of “Growing, Up Live”

The skulls have been taken out of storage and put on display as the “Old” Anatomy Museum in TCD goes “live” for three nights during Science Week 2018. The Museum has been transformed into a studio for Growing Up, Live. It is being filmed in front of a live studio audience and the programme makers will “be treating the audience to live science experiments every night” which, RTE promises, “will unlock our understanding of a human lifetime.’

The Anatomy Museum is a really interesting setting for a show like this. Historically, dissections were done in front of a live audience. That won’t happen in “Growing Up, Live” but the audience will be surrounded by the results of 300 years of anatomical research. The Museum is home to a collection of anatomical and medical specimens that was built up over 300 years of medical education in Trinity College, University of Dublin, much of which was “re-discovered” when “Old” Anatomy Dept was decommissioned in 2014 and the School of Medicine move to the TBSI building on Pearse St.

Angela Scanlon adopts the traditional pose of the Anatomist – skull in hand – in “Old” Anatomy in preparation for the filming of “Growing Up, Live.”

The live broadcast marks a turning point in the process of opening the least known and most interesting museum in Dublin to the public. In March 2017, Joe Duffy created some controversy when he called for the skeleton of Cornelius Magrath, the Irish Giant, to be removed from display in the mistaken belief the Magrath’s body had been robbed, dissected in secret, and his skeleton put on display in 1760. I was working on the collection at the time and found evidence that Magrath had in fact been in the care of Trinity School of Medicine when he died.

The controversy died but there was a some nervousness about opening the collections to the public as a result. Brendan Holland, another Irish Giant, came to the rescue. He filmed part of the documentary “The Giant Gene” in the Anatomy Museum and went public on the most difficult question of all: as a giant, how would he feel it his skeleton was put on display? Brendan didn’t have a problem with that, given the contribution that historic specimens like Magrath continue to make to medical research into conditions like gigantism.

2018. Public engagement at work: BBC Northern Ireland recording an interview between Brendan Holland and Martina Hennessy (School of Medicine TCD) for the a documentary entitled “The Giant Gene.” It was produced by Chris Nikkel and broadcast in June 2018.

2016. The Anatomy Museum operating as a mixture of conservation workshop and anthropological “field.” This is some of the material that was discovered in 2014 and needed to be sorted, catalogued, and stored in preparation for conservation and display. The anthropological material is visible in the foreground.

The use of the space as a studio marks another turning point. An enormous amount of material was discovered in the process of decommissioning the “Old” Anatomy Dept in 2014. Much of this was in tea-chests and crates but there was a lot of material stored under the old theatre and in every nook and cranny of the building. This included a really important collection of photographs taken in the Aran Islands in 1890, shortly before the Anatomy Dept established a small Anthropology Dept and opened an anthropometric (the measurement of humans) laboratory.

A photograph taken by Andrew F. Dixon and Alfred Cort Haddon in Dún Chonnchubhair, Inis Meáin, in 1890. The negative on the left still has the masking that was used to create the effect of a clear sky. The image on the right is an inverted scan of the original, which is called a positive.

That is where curator.ie got involved. I received funding from the Irish Research Council (research.ie) to work on collections associated with the Anthropometric Laboratory and its programme of ethnographic surveys in the west of Ireland. The project was a joint venture of Maynooth University, TCD School of Medicine, and Kimmage Development Studies Centre, now Shanahan Research Centre.

As a curator and a student of anthropology, I did my fieldwork in “Old” Anatomy. Most of the material discovered in 2014 was stored in the Anatomy Museum and it took the best part of two years to go through it and organise suitable storage in the nooks and crannies from whence it came. The plan, all along, was to restore the museum as a public space.

The filming of “The Giant Gene” was a key part of a strategy to make the collection visible and to engage the public in a conversation about the contemporary significance of “Old” Anatomy, whether that is the Skeleton of Magrath, the huge range of medical education material, or the ethnographic material associated with the Anthropological Dept.

The filming of “Growing Up, Live” is on a different scale altogether, given the reach of Science Week and the presence in the museum of a studio audience. RTE publicists have described the “studio” as an amazing Anatomy Museum” and it will be very interesting to see how the audience engages with the various collections.

This is the space to watch during Science Week.

The history of the British Isles as represented in skulls. Ethnologists in the mid-nineteenth century believed that they could find traces of the various invasions of Ireland by comparing the shape of ancient skulls.

To Follow: The Skull Measuring Business: the work of the Dublin Anthropometric Anthropometric Laboratory (1891-1903).

Research Update | October 2018

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Posted by Ciaran Walsh on October 3, 2018 – 1:59 pm

Filed under Anthropology, Research

Reading Haddon …

Four years ago, I was given the job of finding out what exactly was going on in the Dublin Anthropometric Laboratory, which was established in TCD in 1891. My research has focussed on the Laboratory’s programme of ethnographic surveys in the west of Ireland, which were conducted by “head-hunters” Alfred Cort Haddon and Charles R. Browne between 1892 and 1900.

The main question is this: what do the surveys tell us about the development of (1) social documentary photography in Ireland and (2) a western imaginary based on island life in the west of Ireland? My research also considers the ethical and practical implications of placing material from the laboratory–including anatomical specimens–into the public domain, especially in the context of debates about the relation between body, image, and identity in contemporary Ireland.

BBC Northern Ireland on location in “Old” Anatomy TCD in 2018. Brendan Holland and Martina Hennessy, TCD School of Medicine, discuss the relevance of historic anatomical/anthropological specimens to current medical research (see the Giant Gene)

Four years on the project is entering its final phase. The tricky task of converting extensive work on primary sources in Dublin and Cambridge is well underway and slowly taking shape as a text. This text is structured around the idea of murderous, little facts from the hidden spaces of anthropology in Ireland. These facts have produced some interesting results; not least the need for some radical new thinking about the history of anthropology as a whole.

Ugly Little Facts: Aidan Baker, Librarian of the Haddon Library in Cambridge, with a collection of papers relating to the Aran Islands. The documents were placed in an envelope in 1913 and “lost.” They were rediscovered in 2013 in a search for Haddon’s notes and/or other papers relating to “The Ethnography of the Aran Islands, County Galway” (Haddon & Browne 1893).

Murderous Little Facts

The origin of this trope–ugly little facts–comes from an unlikely source. Thomas Henry Huxley is credited with coining the phrase in a conversation recalled by Francis Galton in his memoirs (1908). Herbert Spencer revealed in conversation that he once wrote a tragedy. Huxley declared that the ‘catastrophe had to be a ‘beautiful theory killed by a nasty ugly little fact.’

My theory–or historiographical framework perhaps–is that the disciplinary history of anthropology operates around a foundational trope. Haddon is represented as taking anthropology out of the armchair and into the field in 1898; after he had escaped from the Darwinian backwater that was Dublin in the 1890s. That claim is not supported by facts in the Haddon papers and related sources but, repeated often enough, it has become a form of disciplinary folklore that has compressed the history of anthropology and circumscribed narratives like that of the Dublin Anthropometric Laboratory.

Reading Haddon: A small section of the Haddon Papers in Cambridge University Library.

The strategy I have adopted in response is to use overlooked primary sources as “tropocidal” facts; using ugly, little facts gleaned from the forgotten spaces of anthropology to kill off the armchair trope and suggest some alternative narratives. The Dublin Anthropometric Laboratory, in this scenario, becomes (1) the site of a struggle for disciplinary authority between conservative (biological) and radical (sociological) elements within “organised” anthropology in the 1890s, (2) an agent of the development of an equally radical, photo-ethnographic practice in fieldwork associated with the Laboratory and (3) the starting point for John Millington Synge’s exploration of peasant life in the West of Ireland.

Photography as ethnography: a photograph taken by Browne on the Great Blasket Island in 1897. The man in the middle is Tomás Ó Criomhtain, An tOileánach, one of the most celebrated figures of the Blasket Island Community and an important figure in folklore studies in Ireland. Photograph courtesy of the Board of TCD.

Forgotten Spaces

This study is grounded in the discovery of artefacts, records, and photographs associated with the Dublin Anthropometric Laboratory, which prompted a new reading of Haddon’s association with it. In 2014 Siobhán Ward of TCD started unpacking tea chests containing a substantial collection of historical material from the School of Anatomy. This material included specimens, instruments, records, paper and a spectacular collection of glass plate negatives dating from 1890. This material had ‘disappeared’ in 1948 when it was placed in long-term storage under the theatre in the “Old” Anatomy Building.

Reconstruction of the anthropological collection began in February 2016 and the contents of the tea chests have since been recorded, sorted, and tallied with related material in other collections in Ireland and UK. It wasn’t long before a gap opened up between the conventional history of pre-modern anthropology in Ireland and the ugly little facts —documentary and material— that had emerged from “Old” Anatomy.

“Unpacking” the Dublin Anthropometric Laboratory in 2016. An early photograph showing the anatomical and anthropological material discovered in the “Old” Anatomy building in 2014. The records of the Laboratory and associated artefacts are visible in the foreground. They include the schedules of measurements taken in the Aran Islands in 1892, Daniel J. Cunningham’s cast of the cranial topography of a chimpanzee, and some of the psychometric instruments designed by Francis Galton.

Finally …

“Unpacking” the Laboratory has become, unexpectedly, a confrontation with the historiography of anthropology. This has meant spending just over two years reading what Haddon wrote – rather than reading about what Haddon was thought to have done – and this has produced some interesting new narratives.

This part of the project will conclude in 2019 … hopefully.

Ciarán Walsh | Oct 3, 2018

Ciarán Walsh elected fellow of the Royal Anthropological Institute

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Posted by Ciaran Walsh on August 4, 2015 – 1:28 pm

Filed under Anthropology, Education, Research

Ciarán Walsh has been elected a Fellow of the Royal Anthropological Institute. This follows his pioneering work on the Irish Ethnographic Survey and the impact this had on the early development of anthropology in Ireland and the UK. Walsh first presented this material at a conference on anthropology and photography in the British Museum in 2014. In 2015 he presented an update on his research as part of the Fellows seminar series in the Institute in London, along with his research partner Dr. Jocelyne Dudding of Cambridge University Museum of Archaeology and Anthropology (CUMAA). He will present a further paper on the connection between the Irish Ethnographic Survey and the institutional development of the RAI at a conference in December 2015. This will be based on new work that has been done as part of his postgraduate research in Maynooth University (Anthropology).