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Cultural diversity in universities has been pushed to the top of the agenda by the Black Lives Matter movement and TCD has taken the its first steps towards a decolonised campus … maybe.

College authorities are considering renaming the Berkeley Library because Berkeley was a slaver: he enslaved four people on his plantation in Rhode Islands in the 1700s. Decolonising the campus will involve more than renaming a building or two. It may involve dismantling the Anthropological Collection in the ‘Old’ Anatomy Museum in line with international calls for the decolonisation of museums that hold culturally sensitive material.

Alfred Cort Haddon and Andrew Francis Dixon stole thirteen crania from a burial ground on Inishbofin Islands and TCD acquired the skulls in 1892.

The Anthropological Collection in TCD holds 24 crania stolen from burial grounds in the west of Ireland in 1890, making it one of the most culturally sensitive collection in the context of calls for western museums “to return objects looted in the violent days of empire.” (The Guardian).

Watch this space!

© The Board of Trinity College Dublin

www.curator.iepresents the ‘Irish Headhunter Project,’ an exhibition by Ciarán Walsh and Dáithí de Mórdha

in association with

Trinity College Dublin, The Royal Irish Academy, Ionad an Bhlascaoid Mhóir / The Blasket Centre, Mairéad Ní Ghallchóir (Áras Éanna, Inis Oírr, Árann), Jane Maxwell (TCD), Tim Keefe (TCD), Justin Carville (IADT Dún Laoghaire), Ciarán Rooney (FILMBANK Colour Management) and Séamas Mac Philib, The National Museum of Ireland – Country Life.

Funded by the Office of Public Works (OPW) and The Heritage Council.

Introducing

Charles R. Browne, the Irish ‘Headhunter’

How did one explain the presence of a primitive (white) race living in the back yard of the United Kingdom – at the height of the British Empire? Scientists based in Trinity College Dublin attempted to do just that by documenting the physical characteristics and habits of communities in the remotest parts of Ireland. Starting in Aran in 1891, they moved along the west coast and finished up in Carna in 1900. The whole thing was recorded by Charles R. Browne and his associates on a new generation of portable cameras using plates and rolled film, the latest in photographic technology at the time. They took more than photos however, they were the Irish ‘headhunters.’

Alive or dead the head of the Irish native was at the centre of all of their research, cranial capacity (brain size) and physiognomy being regarded as the key to unlocking the mystery of the origins of the Irish race. Specimens – the skulls of dead islanders – were collected and lodged in the Museum of Comparative Anatomy in TCD. Live heads were also taken … with a camera. These anthropometric portraits were contextualised with photographs of “the occupations, modes of transport, and habitations of the people, also several of the antiquities of the district, and a set of views showing surface of land and nature of coastline, etc.”

‘Charles R. Browne The Irish Headhunter’ exhibition will present in exhibition, for the first time ever, the photographs collected by Charles R. Browne. These are held in the Research Collection and Manuscripts Library of Trinity College Dublin. They have been scanned and reproduced especially for this exhibition and it is the first time most of them will have been seen in public.

This is probably the most important photographic archive to come into the public domain. It is supported by written reports – ethnographies – that are held in the Royal Irish Academy. Browne’s archive is singular in terms of its depiction of life on the west coast of Ireland in the 1890s. The anthropological inquiry – and the headhunting – that motivated it is one of the best kept secrets in Ireland.